What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West?Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

"In her astonishing thriller, Sarah Sparrow has joined the ranks of Shirley Jackson and Stephen King. A warning: there is no safe place to read this book." –David Cronenberg Terrifying, thoroughly original and hauntingly written, A Guide for Murdered Children is a psychological thriller—and otherworldly surprise. We’ve heard it said that there is no justice in this world. But what if there really was? What if the souls of murdered children were able to briefly return, inhabit adult bodies and wreak revenge on the monstrous killers who stole their lives? Such is the unthinkable mystery confronting ex-NYPD detective Willow Wylde, fresh out of rehab and finally able to find a job running a Cold Case squad in suburban Detroit. When the two rookie cops assigned to him take an obsessive interest in a decades-old disappearance of a brother and sister, Willow begins to suspect something out of the ordinary is afoot. And when he uncovers a series of church basement AA-type meetings made up of the slain innocents, a new way of looking at life, death, murder—and missed opportunities—is revealed to him. Mystical, harrowing and powerfully moving, A Guide for Murdered Children is a genre-busting, mind-bending twist on the fine line between the ordinary… and the unfathomable.