From Richard Seymour, one of the UK's leading public intellectuals, comes a characteristic blend of forensic insight and analysis, personal journey, and a vivid respect for the natural world. A planetary fever-dream. An environmental awakening that is also a sleep-walking, unsteadily weaving between history, earth science, psychoanalysis, evolution, biology, art and politics. A search for transcendence, beyond the illusory eternal present. These essays chronicle the kindling of ecological consciousness in a confessed ignoramus. They track the first enchantment of the author, his striving to comprehend the coming catastrophe, and his attempt to formulate a new global sensibility in which we value anew what unconditionally matters.

This text reinterprets the modern West's development in terms of mankind's relationship to religion. It argues that the development of human political and psychological autonomy must be understood against the growth of the concept of divine power and its increasing distance from human activity.

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.

This study is about Disney, malls, cruise lines, Las Vegas, the World Wide Web, Planet Hollywood, credit cards, and all other ways we now consume. It discusses the fundamental change that our society has undergone because of the way and the level at which we consume.

ON Friday 27th June 1975 a young Venezuelan burst from a Paris apartment straight into the world's headlines. He left for dead four men. He had previously blithely lobbed a grenade into a crowded cafe, attempted to assassinate the president of the Zionist Federation of Great Britain, seized the French Embassy in Holland and launched two rocket attacks on planes at Orly airport. His crimes were apparently endless. He went on the kidnap the OPEC ministers in Vienna. He is known to the world as Carlos. The press dubbed him the Jackal. Security forces consider him The World's Most Wanted Man. Favid Yallop tracked Carlos down to a small village in the Bekaa Valley outside war-torn Beirut. Through two long nights he listened to part of Carlos's story. Then, under tragic circumstances, the trail went dead. For the next seven years, Yallop tried t rediscover Carlos the Jackal, but what began as a manhunt became a journey into a frightening world of terrorism, espionage and Middle Eastern politics. Drawing on the investigative skills that made In God's Name an international bestseller, written with clarity, passion and humanity, To the Ends of the Earth is a monumental and riveting book, a pursuit of truth that is destined to become a classic.

“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in “the market” has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity—and urges us to break its hold on our souls. “A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can’t afford not to care about deeply.” —Commonweal “More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment—an account of American capitalism as a religion...will stun even skeptical readers.” —Christian Century

Kosky focuses on a handful of artists - Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldsworthy - to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation.