John Filson's, "The Discovery, Settlement and Present State of Kentucky: And an Essay Towards the Topography, and Natural History of that Important Country: To Which is Added, an Appendix, Containing The Adventures of Col. Daniel Boone, One of the first Settlers, comprehending every important Occurrence in the political History of that Province ...," published in 1784, is the first descriptive account of Kentucky and the first narrative of Daniel Boone. The book was immensely popular and was translated into French and German numerous times, with a Paris edition appearing in 1785. Topics addressed include Kentucky's discovery and purchase, as well as boundaries, topography and terrain, climate, rivers, soil, inhabitants, rights of land, and trade. The 32-page Appendix, outlining the "Adventures of Col. Daniel Boon; containing a narrative of the Wars of Kentucke," is the first known narrative of Daniel Boone, and the portion of the book believed to be most responsible for drawing so much attention to the work. The Appendix also contains, "The Minutes of the Piankashaw council held in 1784;" "An Account of the Indian Nations inhabiting within the Limits of the Thirteen United States, their Manners and Customs, and Reflections on their Origin;" and "The Stages and Distances between Philadelphia and the Falls of the Ohio," as well as other geographical topics. Included is a drawing of Daniel Boone and a Map of Kentucky, which was drawn by Filson, and was the best, up to that time, for the topography of Kentucky country. Paperback, (1784), repr. 2011, Illus., Map, Appendix, 124 pp.

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Supported with copious maps, illustrations, endnotes, and a detailed chronology of Boone's life, Frontiersman provides a fresh and accurate rendering of a man most people know only as a folk hero--and of the nation that has mythologized him for over two centuries.

In classical terms the georgic celebrates the working landscape, cultivated to become fruitful and prosperous, in contrast to the idealized or fanciful landscapes of the pastoral. Arguing that economic considerations must become central to any understanding of the human community's engagement with the natural environment, Timothy Sweet identifies a distinct literary mode he calls the American georgic. Offering a fresh approach to ecocritical and environmentally-oriented literary studies, Sweet traces the history of the American georgic from its origins in late sixteenth-century English literature promoting the colonization of the Americas through the mid-nineteenth century, ending with George Perkins Marsh's Man and Nature (1864), the foundational text in the conservationist movement.

Films possess virtually unlimited power for crafting broad interpretations of American history. Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett’s doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer’s fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation’s past. In these twenty-six essays—divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West—notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture. By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.

Seeds of Extinction opens a broader perspective on the history of Indian-white relations by exploring first what the Jeffersonian's premises were and then how they became translated into governmental policy.