Reproduction of the original: The Discovery of a World in the Moone by John Wilkins

John Wilkins' 'The Discovery of a World in the Moone' is a groundbreaking work exploring the possibility of extraterrestrial life on the moon. Written in the 17th century, the book presents a compelling argument for the existence of another habitable world in our celestial neighbor. Wilkins combines scientific observations with imaginative speculation to create a captivating narrative that challenges conventional beliefs of his time. His literary style blends scholarly research with an engaging storytelling approach, making the complex subject matter accessible to a wide audience. As one of the pioneering works in the genre of science fiction, this book laid the foundation for future discoveries and advancements in astronomy. Wilkins' meticulous research and bold ideas continue to inspire scientists and writers alike to explore the mysteries of the universe. 'The Discovery of a World in the Moone' is a must-read for anyone interested in the history of astronomy, speculative fiction, or the intersection of science and literature.

Arguably the first work of science fiction in English, Francis Godwin’s The Man in the Moone was published in 1638, pseudonymously and posthumously. The novel, which tells the story of Domingo Gonsales, a Spaniard who flies to the moon by geese power and encounters an advanced lunar civilization, had an enormous impact on the European imagination for centuries after its initial publication. With its discussion of advanced ideas about astronomy and cosmology, the novel is an important example of both popular fiction and scientific speculation. This Broadview Edition includes a critical introduction that places the text in its scientific and historical contexts. The rich selection of appendices includes related writings by Godwin and his predecessors and contemporaries on magnetism, human flight, voyages to real and unreal lands, and the possibility of extra-terrestrial life.

The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo. Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science. Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression. Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.