With more than 130 raw and revolutionary photographs, The Dirty Side of Glamour showcases Tyler Shields’s unrestrained creative spirit and offers a visual commentary on fame, excess, youth, the trappings of celebrity, and the power of letting go.

“The vibrant and provocative stories of Davida Adedjouma jump off the page and into your consciousness. A woman who has dedicated herself to promoting creativity in others, teaching and empowering them to express their truths, Adedjouma has written 36 interlocking short stories which take us on a powerful, emotional, and unforgettable journey. Her themes are universal, her images searing and the unfolding drama of her characters stays with you, long after you’ve turned the last page. Savor it.” - Donna Brown Guillaume, fi lmmaker “Adedjouma has a way of taking unusual characters in unusual situations and making them feel like familiar friends through her extraordinary gift for dialogue and narrative. She is able to transport you to places you didn’t even know existed but by the end you will never want to leave.” - Elliott Madison, author and editor Past reviews of Davida (Kilgore) Adedjouma’s work. Publishers Weekly stated that, “Kilgore’s debut [Last Summer] ... offers an impressive array of distinct characters. The voices here are those of black women eloquently articu-lating their experiences ... Every piece conveys a struggle either with poverty, domestic violence, death or with simply being a black person in America, often complemented by a generous helping of irresistible humor.”

A unique exploration of the character, the author, and the many transformations of Alice in modern culture—often in edgy and menacing ways. The Dark Side of Alice in Wonderland is the first investigation of the vast range of darker, more threatening aspects of this famous story, and the way Alice has been transformed over time. Although the children’s story has been in print for over 150 years, the mysteries and rumors surrounding the story and its creator Lewis Carroll have continued to grow. Alice has been transformed—this is the Alice of horror films, Halloween, murder and mystery, spectral ghosts, political satire, mental illnesses, weird feasts, Lolita, Tarot, pornography, and steampunk. The Beatles based famous songs such as “Lucy in the Sky with Diamonds” and “I am the Walrus” on Alice’s Adventures in Wonderland, and she has even attracted the attention of world-famous artists including Salvador Dali. The Japanese version of Lolita is so different from that of novelist Vladimir Nabokov—yet both are based on Alice. This is Alice in Wonderland as you have never seen her before: a dark, sometimes menacing, and threatening character. Was Carroll all that he seemed? The stories of his child friends, nude photographs, and sketches affect the way modern audiences look at the writer. Was he just a lonely academic, a closet pedophile, a brilliant puzzle maker—or even Jack the Ripper? For a book that began life as a simple children’s story, it has resulted in a vast array of dark concepts, ideas, and mysteries. With this book, you can step inside the world of Alice in Wonderland—and discover a dark side you never knew existed.

"Camp" is often associated with glamour, surfaces and an ostentatious display of chic, but as these authors argue, there is an underside to it that has often gone unnoticed: camp’s simultaneous investment in dirt, vulgarity, the discarded and rejected, the abject. This book explores how camp challenges and at the same time celebrates what is arguably the single most important and foundational cultural division, that between the dirty and the clean. In refocusing camp as a phenomenon of the dark underside as much as of the glamorous surface, the collection hopes to offer an important contribution to our understanding of the cultural politics and aesthetics of camp.

In some of these eight stories, there are people who discover too late that they shouldn't have looked too closely into a mirror, or believed what they saw and heard in it, or dared to wander into the dark side of a mirror.

It’s a shocking blast from the past when homicide detective Jake Carrington finds himself investigating the last woman he’d suspect of murder . . . Recovering from a stab wound to the gut, and dealing with the news that his sister’s killer might beat the system, Lieutenant Jake Carrington needs some downtime. But that’s cut short by a very sensitive case: the murder of the police commisioner’s wife. The crime scene—a dive hotel, complete with provocative, incriminating photos—suggests the victim was having an affair. But Jake finds that hard to believe—as hard to believe as the #1 suspect . . . Jake hasn’t seen his highschool sweetheart, Melinda Mastrianni, since the day his sister, Eva, died. He’d turned down Eva’s request for a ride so he could go see Melinda, and the guilt has never left him. Now Melinda’s a local photographer, mostly shooting weddings and graduations. Definitely not the kind of pics that led him to her doorstep. But when Melinda disappears, and more prominent women turn up dead, Jake will have to navigate through a twisted blackmailing scheme to find out if the girl he once knew is long gone—or if she’s a killer’s next target . . . “Tense and authentic—a suspenseful page-turner!” --Leo J. Maloney on All the Pretty Brides

The Dark Side of Emotional Labour explores the work that the rest of society would rather not think about, the often unseen work that is emotionally disturbing, exhausting, upsetting, and stigmatising. This is work that is simultaneously undesirable and rewarding, work whose tasks are eschewed and yet necessary for the effective function of individual organisations and society at large. Diverse and challenging, this book examines how workers such as the doorman, the HR manager, the waiter and the doctor’s receptionist experience verbal aggression and intimidation; how the prison officer and home carer respond to the emotions associated with physical violence, and; how the Samaritan, banker and veterinarian deal in death and despair. It also considers how different individuals develop the emotional capital necessary to cope with the dark side of emotional labour, and how individuals can make sense of, and come to take satisfaction and pride in, such difficult work. Finally, the book considers what is to be done with darker emotional work, both in terms of the management and care of those labouring on the dark side. Challenging and original, this book gives a voice to those who undertake the most demanding work on our behalf. It will be of interest to researchers and students of organisation studies and its related fields, and to every one of us who is called on to work or manage on the Dark Side.