Phenomena, Occult, Religious & Theological Studies, Fundementalism.

From medieval contemplation to the early modern cosmopoetic imagination, to the invention of aesthetic experience, to 19th century decadent literature, and to early 20th century essayistic forms of writing and film, Niklaus Largier shows that mystical practices have been reinvented across the centuries, generating a notion of possibility with unexpected critical potential. Arguing for a new understanding of mystical experience, Niklaus Largier foregrounds the ways in which devotion builds on experimental practices of figuration in order to shape perception, emotions, and thoughts anew. Largier illuminates how devotional practices are invested in the creation of possibilities, and this investment has been a key element in a wide range of experimental engagements in literature and art from the 17th to the 20th century, and most recently in forms of 'new materialism.' Read as a history of the senses and emotions, the book argues that mystical and devotional practices have long been invested in the modulating and reconfiguring of sensation, affects, and thoughts. Read as a book about practices of figuration, it questions ordinary protocols of interpretation in the humanities, and the priority given to a hermeneutic understanding of texts and cultural artefacts.

This directory of family associations, based largely on data received in response to questionnaires sent to family associations, reunion committees, and one-name societies, offers contact information on some 6,000 family associations in the US. The directory is useful for those engaging in genealogical research or planning family reunions. Annotation copyrighted by Book News Inc., Portland, OR

This text examines the representation and staging of chance in literature through the study of a specific case - the work of the 20th-century French writer Georges Perec (1936-82).

The Physics of Possibility traces the sensational birth of mathematical physics in Victorian literature, science, and statistics. As scientists took up new breakthroughs in quantification, they showed how all sorts of phenomena—the condition of stars, atoms, molecules, and nerves—could be represented as a set of probabilities through time. Michael Tondre demonstrates how these techniques transformed the British novel. Fictions of development by Charles Dickens, George Eliot, and others joined the vogue for alternative possibilities. Their novels not only reflected received pieties of maturation but plotted a wider number of deviations from the norms of reproductive adulthood. By accentuating overlooked elements of form, Tondre reveals the novel’s changing identification with possible worlds through the decades when physics became a science of all things. In contrast to the observation that statistics served to invent normal populations, Tondre brings influential modes of historical thinking to the foreground. His readings reveal an acute fascination with alternative temporalities throughout the period, as novelists depicted the categories of object, action, and setting in new probabilistic forms. Privileging fiction’s agency in reimagining historical realities, never simply sanctioning them, Tondre revises our understanding of the novel and its ties to the ascendant Victorian sciences.

This Book is made for the people who like seeking beyond the different theories that are flying around the world with No proof. This Book is 80% truth and 20% just the views of the author.