A New York Times Bestseller. “If you think cybercrime and potential worldwide banking meltdown is a fiction, read this sensational thriller.”—Bob Woodward, Politico Graham Weber has been the director of the CIA for less than a week when a Swiss kid in a dirty T-shirt walks into the American consulate in Hamburg and says the agency has been hacked, and he has a list of agents' names to prove it. This is the moment a CIA director most dreads. Like the new world of cyber-espionage from which it's drawn, The Director is a maze of double dealing, about a world where everything is written in zeroes and ones—and nothing can be trusted.

NO ONE TAKES WHAT’S MINE. The lovely attorney kept a secret from me. A baby she’s been carrying since Valentine’s night. The night we were thrown together by the roulette wheel. She never contacted me. Meant to keep me in the dark. She’s about to find out what happens when you cross a bratva boss. Punishment is in order. Sequestering until the birth. And I’ll use that time to win her surrender. Because I don’t just plan to keep the baby— I plan to make his mother my bride. And it would be much better for both of us if she were willing. The Director is the explosive first book in the USA Today Bestselling Chicago Bratva series. It’s a stand-alone dark mafia enemies-to-lovers romance, complete with HEA and no cliff-hangers. It contains steamy bedroom scenes and a dangerous and possessive hero who falls hard for the woman he wants to claim for life.

A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.

Beginning with the triple impulses of Naturalism, symbolism and the grotesque, the bulk of the book concentrates on the most famous directors of this century - Stanislavski, Reinhardt, Graig, Meyerhold, Piscator, Brecht, Artuaud and Grotowski. Braun's guide is more practical than theoretical, delineating how each director changed the tradition that came before him.

In "You're the Director!" you'll discover guidance from more than a dozen experienced financial aid professionals on topics such as directing a financial aid office, long-term planning, change management, budgeting, finding new resources, working efficiently, assessment and evaluation, positioning yourself on campus, and more. This book is a must-have for new and aspiring financial aid directors, as well as for seasoned financial aid directors who are constantly seeking to improve their leadership skills.

Arlo discovers that he can stop his dreams from being scary by becoming the Dream Director! Watch as Arlo's dreams go from frightening to funny. What kind of dreams could you direct?

Yorkshire-born Ken Annakin is one of the greatest international film directors. The last of the English directors to make it in the international arena (others included Hitchcock and Lean), this autobiography traces Annakin's career from his early British films through to Hollywood. He has directed, written and produced over 50 feature films in Africa, India, Malaysia, Scandinavia, China, Europe and the United States. His films include: Swiss Family Robinson, The Longest Day, Battle of the Bulge, and Those Magnificent Men in their Flying Machines. Annakin's autobiography includes personal and revealing insights into many film personalities, including: Claudette Colbert; Edward G. Robinson; David Niven; Raquel Welch; Rod Steiger; Tony Curtis; Henry Fonda; Olivia de Havilland; Robert Ryan; Charlton Heston; Julie Christie; Robert Wagner; Charles Bronson; Peter Sellers; Peter Ustinov; Darryl Zanuck; Walt Disney and Terry Thomas. This book is forthright and pulls no punches. It will soon become a classic among director's autobiographies. Detailing his own frustrations with sex-mad producers, drug-addicted actors, and unions which sabotaged multi-million dollar feature films. Annakin details a career of dizzying highs and bleak lows. This master of family entertainment also sounds a clarion call for a return to motion pictures which are fun for the whole family. So You Wanna Be A Director? is an entertaining and witty travelogue, as well as an important document of film history.