"A world made by the Eight Creators on which to play out their games of passion and power, Paradise is a sprawling, diverse, often brutal place. Men and women live on Paradise as do dogs, cats, ferrets, goats, and horses. But dinosaurs predominate: wildlife, monsters, beasts of burden--and of war"--Amazon.com.

This epic fantasy debut plunges readers into a gritty world of court intrigue and dinosaur battles: “a cross between Jurassic Park and Game of Thrones” (George R. R. Martin). Paradise is a sprawling, diverse, often brutal place—one formed by the Eight Creators to play out their games of passion and power. In Paradise, lords and ladies vie for power as dinosaurs range the land and take the skies. And while some of these fearsome creatures run wild, others are harnessed as weapons of war. Thus we are plunged into Victor Milán’s world of The Dinosaur Lords, a place of dynastic rivalries, religious wars, and byzantine politics, and clashing armies of dinosaur-mounted knights. During the course of one of these epic battles, the mercenary Dinosaur Lord Karyl Bogomirsky is defeated through betrayal and left for dead. He wakes, naked, wounded, partially amnesiac—and hunted. And embarks upon a journey that will shake his world.

A world made by the Eight Creators on which to play out their games of passion and power, Paradise is a sprawling, diverse, often brutal place. Men and women live on Paradise as do dogs, cats, ferrets, goats, and horses. But dinosaurs predominate: wildlife, monsters, beasts of burden and of war. Colossal plant-eaters like Brachiosaurus; terrifying meat-eaters like Allosaurus, and the most feared of all, Tyrannosaurus Rex. Giant lizards swim warm seas. Birds (some with teeth) share the sky with flying reptiles that range in size from bat-sized insectivores to majestic and deadly Dragons.

The Dinosaur Princess is a thrilling epic fantasy adventure set in an alternative world of intrigue, beauty, brutality...and dinosaurs. WELCOME TO PARADISE: A primordial world with every species of dinosaur, large and small. And humans, who were brought to this world on the whim of the gods. Knights ride into battle on Triceratops; their heroes lead them on T-Rexes. Karyl Bogomirskiy is one such hero. Once, he held power. Betrayed by those closest to him, he was resurrected by the Fae, magical beings native to the world, who seek to use him in their eternal battle against alien gods. Karyl just wants to be left in peace, reluctant to be anyone’s tool, much less a savior. But the gods have returned to judge their human experiment and to finally rid the planet of the Fae. And while Karyl doesn’t feel like a hero, he’s humanity’s last best hope. The Dinosaur Princess is the newest epic fantasy adventure set in a world where knights ride armored dinosaurs into battle, hailed by George R. R. Martin as "A cross between Jurassic Park and Game of Thrones." The Dinosaur Lords Series #1 The Dinosaur Lords #2 The Dinosaur Knights #3 The Dinosaur Princess At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Dinosaur Lords Trilogy discounted ebundle includes: Dinosaur Lords, Dinosaur Knights, and Dinosaur Princess Victor Milán's epic fantasy weird world of The Dinosaur Lords is a place that mirrors 14th century Europe with its dynastic rivalries, religious wars, and byzantine politics--except for their weapons of choice... Paradise: a planet where humans are playthings of the gods. All they have is a thirst for freedom and fables of old gods who sit in judgment. Theirs is a dangerous world, for it is a paleontologist’s dream. And so we have a world filled with knights. Knights riding dinosaurs... "It's like a cross between Jurassic Park and Game of Thrones." --George R. R. Martin At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America’s wealthiest business tycoons. Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films. Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture. Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.

From the bestselling author of Saban, 4th and Goal, and Sowbelly comes the thrilling, untold story of the quest for the world record tarpon on a fly rod—a tale that reveals as much about Man as it does about the fish. In the late 1970s and early 1980s, something unique happened in the quiet little town on the west coast of Florida known as Homosassa. The best fly anglers in the world—Lefty Kreh, Stu Apte, Ted Williams, Tom Evans, Billy Pate and others—all gathered together to chase the same Holy Grail: The world record for the world’s most glamorous and sought-after fly rod species, the tarpon. The anglers would meet each morning for breakfast. They would compete out on the water during the day, eat dinner together at night, socialize and party. Some harder than others. The world record fell nearly every year. But records weren’t the only things that were broken. Hooks, lines, rods, reels, hearts and marriages didn’t survive, either. The egos involved made the atmosphere electric. The difficulty of the quest made it legitimate. The drugs and romantic entaglements that were swept in with the tide would finally make it all veer out of control. It was a confluence of people and place that had never happened before in the world of fishing and will never happen again. It was a collision of the top anglers and the top species of fish which would lead to smashed lives for nearly all involved, man and fish alike. In Lords of the Fly, Burke, an obsessed tarpon fly angler himself, delves into this incredible moment. He examines the growing popularity of the tarpon, an amazing fish has been around for 50 million years, can live to 80 years old and can grow to 300 pounds in weight. It is a massive, leaping, bullet train of a fish. When hooked in shallow water, it produces “immediate unreality,” as the late poet and tarpon obsessive, Richard Brautigan, once described it. Burke also chronicles the heartbreaking destruction that exists as a result—brought on by greed, environmental degradation and the shenanigans of a notorious Miami gangster—and how all of it has shaped our contemporary fishery. Filled with larger-than-life characters and vivid prose, Lords of the Fly is not only a must read for anglers of all stripes, but also for those interested in the desperate yearning of the human condition.