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The study explores the narrative structure of Alexandr Nikitenko's diary, one of the core sources for the history of Russian censorship, and on the role of the genre of anecdote in particular. Through an analysis of the 'anecdotal' entries about censorship in Nikitenko's diary and their evolution (their number peaks during the years of Nicholas I's reign, and plummets in the parts of the account dealing with Alexander II, particularly in the period of 1860-ies), the authors demonstrate the peculiarities of the 'anecdotal' frame in picturing the interactions between literary circles and censorship. The literary form of anecdote, whose strength is in picturing singular oddities and excesses, fails to account for the everyday quality of routine practices, the day-to-day modes of interaction between authors and censors, so that the 'anecdotal' narrative can only work as a segment of a more complex and multidimensional vision of how literary agency and censoring authorities interacted.

From the Publisher: Censorship is part of the Global Issues series, which is designed to be a first-stop resource for research on the key challenges facing the world today. Each volume contains three sections, beginning with an introduction that clearly defines the issue, followed by detailed case studies of the issue's impact in the United States and several other countries or regions. The second section draws together significant U.S. and international primary source documents, and the third section gathers useful research tools such as brief biographies, facts and figures, an annotated bibliography, and more. A foreword written by an expert in the field complements each volume. A chronology, glossary, and index provide additional help. Censorship suppresses human expression. It can be a means of limiting public dissension from an authoritarian and/or unpopular government; a method for protecting religious dogma from heresy, whether perceived or real; and a way of imposing a set of standards on communities or individuals. On the other hand, censorship, in the forms of film ratings, v-chips, and Internet filters, upholds parental authority. Thus, censorship is viewed both as evil and as a tool against evil. Even in the 21st century, with its emphasis on information and globalization, and with an electronic technology that disregards borders, censorship continues to dictate the lives of many. Providing a comprehensive overview of the different forms that censorship can take, this book examines the history and current practices of censorship in five countries-the United States, Russia, China, Zimbabwe, and Egypt-and discusses key counterstrategies. Parts II and III of the book include primary source documents relating to censorship in these five countries; biographical information on key figures whose lives were, or are, linked with censorship; and a list of U.S. and international organizations and agencies that monitor and publicize censorship activity, provide legal assistance, and develop counterstrategies. An annotated bibliography, a glossary, and a chronology complete this invaluable resource.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Imperial Germany's governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871-1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.