"A rare, no-holds-barred documentation of an American teenager's life." —Publishers Weekly Told through the actual diary entries of a real teenage girl, Dear Nobody chronicles Mary Rose's struggles with drug addiction, bullying, and a deadly secret in this raw, authentic book. Her story will inspire you—and remind you that you're not alone. They call me a freak. I'm sick of it. It makes me want dangerous, bad things. Drugs—hard drugs—and people who are bad for me, but I don't care, because I'm so lonely and no matter what their intentions are at least they're talking to me... They say that high school is supposed to be the best time of your life. But what if that's just not true? More than anything, Mary Rose wants to fit in. To be heard. To be loved. And she'll do whatever it takes to make that happen. Even if it costs her her life. Compelling and unflinchingly honest, Dear Nobody is perfect for readers looking for: contemporary young adult nonfiction true stories about drug addiction books like Go Ask Alice and Lucy in the Sky stories that spark conversation about issues teens face

Between 1919 and his death by suicide in 1963, Arthur Crew Inman wrote what is surely one of the fullest diaries ever kept by any American. Convinced that his bid for immortality required complete candor, he held nothing back. This abridgment of the original 155 volumes is at once autobiography, social chronicle, and an apologia addressed to unborn readers. Into this fascinating record Inman poured memories of a privileged Atlanta childhood, disastrous prep-school years, a nervous collapse in college followed by a bizarre life of self-diagnosed invalidism. Confined to a darkened room in his Boston apartment, he lived vicariously: through newspaper advertisements he hired "talkers" to tell him the stories of their lives, and he wove their strange histories into the diary. Young women in particular fascinated him. He studied their moods, bought them clothes, fondled them, and counseled them on their love affairs. His marriage in 1923 to Evelyn Yates, the heroine of the diary, survived a series of melodramatic episodes. While reflecting on national politics, waifs and revolutions, Inman speaks directly about his fears, compulsions, fantasies, and nightmares, coaxing the reader into intimacy with him. Despite his shocking self-disclosures he emerges as an oddly impressive figure. This compelling work is many things: a case history of a deeply troubled man; the story of a transplanted and self-conscious southerner; a historical overview of Boston illuminated with striking cityscapes; an odd sort of American social history. But chiefly it is, as Inman himself came to see, a gigantic nonfiction novel, a new literary form. As it moves inexorably toward a powerful denouement, The Inman Diary is an addictive narrative.

Author of the popular BookTok series The Inheritance GamesJennifer Lynn Barnes introduces us to . . . Nobody. There are people in this world who are Nobody. No one sees them. No one notices them. They live their lives under the radar, forgotten as soon as you turn away. That's why they make the perfect assassins. The Institute finds these people when they're young and takes them away for training. But an untrained Nobody is a threat to their organization. And threats must be eliminated. Claire has been invisible her whole life, missed by the Institute's monitoring. But now they've ID'ed her and have sent Nix to remove her. Yet the moment Nix lays eyes on her, he can't make the hit. It's as if Claire and Nix are the only people in the world for each other. And they are—because no one else can really see them.

NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE • FORBES • BOOKPAGE • NEW YORK POST • WIRED “I have not been as profoundly moved by a book in years.” —Jodi Picoult Even after she left home for Hollywood, Emmy-nominated TV writer Bess Kalb saved every voicemail her grandmother Bobby Bell ever left her. Bobby was a force—irrepressible, glamorous, unapologetically opinionated. Bobby doted on Bess; Bess adored Bobby. Then, at ninety, Bobby died. But in this debut memoir, Bobby is speaking to Bess once more, in a voice as passionate as it ever was in life. Recounting both family lore and family secrets, Bobby brings us four generations of indomitable women and the men who loved them. There’s Bobby’s mother, who traveled solo from Belarus to America in the 1880s to escape the pogroms, and Bess’s mother, a 1970s rebel who always fought against convention. But it was Bobby and Bess who always had the most powerful bond: Bobby her granddaughter’s fiercest supporter, giving Bess unequivocal love, even if sometimes of the toughest kind. Nobody Will Tell You This But Me marks the creation of a totally new, virtuosic form of memoir: a reconstruction of a beloved grandmother’s words and wisdom to tell her family’s story with equal parts poignancy and hilarity.

When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself-an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s. William Boyd is the author of nine novels, including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Memorial Prize and shortlisted for the Booker Prize; Brazzaville Beach, winner of the James Tait Black Memorial Prize; and Restless, winner of the Costa Novel of the Year Award. Praise for Nat Tate: "William Boyd's description of Tate's working procedure is so vivid that it convinces me that the small oil I picked up on Prince Street, New York, in the late '60s must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist's most profound dread-that God will make you an artist but only a mediocre artist-did not in retrospect apply to Nat Tate."-David Bowie "A moving account of an artist too well understood by his time."-Gore Vidal

The Diary of a Nobody is an English comic novel, serialised in Punch magazine, and written by George and Weedon Grossmith. The Diary records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son Lupin, and their numerous friends and acquaintances, over a period of 15 months. Charles had a difficult relationship with his 20 year old son Lupin. The Diary of Nobody's Son gives Lupin's side of the story. i wish Pa hadn't called his book The Diary of a Nobody. There's a selfish reason; it makes me out to be nobody's son, in fact, nobody's only son; which makes me sound like I am less than nothing. But there's also an unselfish reason. Pa had his moments when he was nothing like a nobody or, to be positive, something like a somebody. This book is partly Pa's and partly mine as I comment on his diary - and especially on what it says about me. It's a dialogue between him and me, a dialogue we never had in real life because it would have been too difficult. The Diary of Nobody's Son deals with their rows about money, Lupin's love life, Lupin's dress sense and the fact that Lupin thinks little of his father's boss, Mr Perkupp (whom Lupin's father idolises). The Diary came to be recognised by critics as a classic work of humour. Lupin's answer is a gem that answers a gem. Witty, unexpected, and even wise in places.

Mrs Pooter, on discovering that her husband is keeping a diary, decides not to be outdone. This comic and affectionately drawn story creates a charming vista of the lifestyle during the early years of the 20th century.