The 1929 Louise Brooks film, DIARY OF A LOST GIRL, is based on a bestselling book first published in Germany in 1905. Though little known today, it was a literary sensation at the beginning of the 20th Century. Was it – as many believed – the real-life diary of a young woman forced by circumstance into a life of prostitution? Or a sensational and clever fake, one of the first novels of its kind? This controversial and often censored work inspired a sequel, a parody, a play, a score of imitators, and two silent films. It was also translated into 14 languages, and sold more than 1,200,000 copies. This new edition of the original English language translation brings this important book back into print in the United States after more than 100 years. It includes an introduction by Thomas Gladysz, Director of the Louise Brooks Society, detailing the book's remarkable history. This special "Louise Brooks Edition" also includes more than three dozen vintage illustrations. More at www.pandorasbox.com/diary.html

The impassioned autobiography of Sudanese-born novelist, activist and poet Kola Boof.

The Diary of Anne Frank is a seminal piece of twentieth-century literature. It recounts the tragic and moving story of a young Jewish teenager faced with the horrors of Nazism. In it, Anne establishes a bond with her readers that transcends both time and space, making them her friends and confidants. Readers feel a connection with each dream she had, each fear she endured, and each struggle she confronted. Her diary ended, but her story did not. The Lost Diary of Anne Frank picks up where her original journal left off, taking the reader on a credible journey through the tragic final months of her life, faithfully adhering to her own, very personal, diary format in the process. In The Lost Diary of Anne Frank, Anne receives mysterious help from many quarters. A strange lady on the other side of the fence haunts her dreams. Her mom once vilified, becomes a hero. Anne struggles with the existence of God and His presence or absence in all of her ordeals. She contrasts the depravity of man with what she sees as mankind’s evident virtues. Her longing to experience sensual pleasures is numbed by forced over-exposure. She finds that in the Nazi efforts to extinguish the humanity of their victims, a chorus of unity evolves among the captives. Anne’s vaulted dreams for fame and notice are ultimately traded in for the true longings of life, love, and peace. The Lost Diary of Anne Frank follows her story to the chilling end. Dr. Johnny Teague is an author and historian, having earned five degrees, culminating with a doctorate in exposition from Southwestern Baptist Theological Seminary. In preparation for writing this book, he interviewed many Holocaust survivors and studied at the Holocaust museums in Houston, Washington, D.C., and Yad Vashem in Israel. His studies have taken him to numerous historical sites, including Auschwitz, Dachau, the Corrie ten Boom House, and the Anne Frank House.

Eva's life is not her own. She is a creation, an abomination—an echo. She was made by the Weavers as a copy of someone else, expected to replace a girl named Amarra, her "other," if she ever died. Eva spends every day studying that girl from far away, learning what Amarra does, what she eats, what it's like to kiss her boyfriend, Ray. So when Amarra is killed in a car crash, Eva should be ready. But sixteen years of studying never prepared her for this. Now she must abandon everything and everyone she's ever known—the guardians who raised her, the boy she's forbidden to love—to move to India and convince the world that Amarra is still alive. What Eva finds is a grief-stricken family; parents unsure how to handle this echo they thought they wanted; and Ray, who knew every detail, every contour of Amarra. And when Eva is unexpectedly dealt a fatal blow that will change her existence forever, she is forced to choose: Stay and live out her years as a copy or leave and risk it all for the freedom to be an original. To be Eva. From debut novelist Sangu Mandanna comes the dazzling story of a girl who was always told what she had to be—until she found the strength to decide for herself.

Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film. Marked Women classifies fifteen recurrent character types and three common narratives, many of them with their roots in male fantasy. The “Happy Hooker,” for example, is the liberated woman whose only goal is to give as much pleasure as she receives, while the “Avenger,” a nightmare of the male imagination, represents the threat of women taking retribution for all the oppression they have suffered at the hands of men. The “Love Story,” a common narrative, represents the prostitute as both heroine and anti-heroine, while “Condemned to Death” allows men to manifest, in imagination only, their hostility toward women by killing off the troubled prostitute in an act of cathartic violence. The figure of the woman whose body is available at a price has fascinated and intrigued filmmakers and filmgoers since the very beginning of cinema, but the manner of representation has also been highly conflicted and fiercely contested. Campbell explores the cinematic prostitute as a figure shaped by both reactionary thought and feminist challenges to the norm, demonstrating how the film industry itself is split by fascinating contradictions.

Revealing the roots of Johnnie Wise's family tree, the author takes readers to Nigeria where a beautiful sixteen-year-old girl, preparing to marry a much older man, escapes with her young lover on the night before the arranged marriage is to take place on a Dutch slave ship bound for America where she becomes Josephine Baptiste.