The story of a modern Asian young woman trying to straddle Western attitudes and traditional beliefs. You've heard of an Essex Girl or even a Chelsea Girl but what is a Hounslow Girl? The term has become a byword for confident, young Muslim women who are grappling with traditional values, city life and fashion. From the joys of Pakistani weddings to fights on the night bus, Ambreen Razia's The Diary of a Hounslow Girl is a funny, bold, provocative play highlighting the challenges of being a teenage girl in a traditional Muslim family, alongside the temptations and influences of growing up in and around London. “Ambreen’s writing is poetic in its structure and intensity, funny, moving, chilling, and delivered in a style that takes inspiration from spoken word and physical theatre. She has created a rhythm that draws the audience in, as compelling as a thriller, complete with gathering ominousness, shocks and comic relief.” Deborah Bestwick, Director, Ovalhouse “Ambreen Razia’s terrific play is exactly the kind of new work we wish to support in the new home of multi-cultural theatre in London. Hounslow Girl is a wonderfully funny take on a London phenomenon and one audiences will enjoy.” Jatinder Verma, Artistic Director, Tara Arts” "a powerful piece of theatre... Ambreen Razia's performance is astonishing." BritishTheatre.com "This is a sophisticated, moving and often very funny piece of writing, particularly nuanced in its depiction of Shaheeda's relationship with her mother ... astute in tackling the breakdown of the loving bonds between parent and child that can occur when a child becomes a teenager – and also how this experience can be magnified for the children of first-generation immigrants, whose parents feel distant from their children’s British lives... Razia's script touches on everything from first love to cultural expectations to student-teacher relationships; it’s a bit like an inner-city version of An Education." The Stage Ambreen Razia is an actress and writer from South London. The Diary of a Hounslow Girl is Ambreen's debut show which premiered at Ovalhouse in 2015. Passionate about re-establishing British Asian comedy within the UK, she continues to write her comedy sketch show involving two British Asian girls exploring the clash between traditional Indian/Pakistani culture and modern British life. She is also currently writing her next play POT primarily focusing on the recent comeback of gang culture within the UK. Performance credits include: On the Middle Day (Old Vic Theatre); Words and Women (Edinburgh Fringe); Random Acts (Channel 4); Fair Exchange (Hen and Chickens Theatre); Variations on a Theme (Camden People's Theatre); Mind the Gap (National Theatre); No Guts, No Heart, No Glory (BBC4/Perth Festival Australia) and Murdered by my Father (BBC3).

TRANSLATED BY ALISON McCULLOUGH 'One of the best books on the many diverse migrations to London . . . revealing the extent to which the diversity of immigrant origins has had transformative effects - through food, music, diverse types of knowledge and so much more. The book is difficult to put it down' Saskia Sassen, The Robert S. Lynd Professor of Sociology, Columbia University, New York 'The ultimate book about Great Britain's capital' Dagbladet 'One of the best books of the year! . . . This is a book about what a city is and can be' Aftenposten Is there a street in London which does not contain a story from the Empire? Immigrants made London; and they keep remaking it in a thousand different ways. Nazneen Khan-Østrem has drawn a wonderful new map of a city that everyone thought they already knew. She travels around the city, meeting the very people who have created a truly unique metropolis, and shows how London's incredible development is directly attributable to the many different groups of immigrants who arrived after the Second World War, in part due to the Nationality Act of 1948. Her book reveals the historical, cultural and political changes within those communities which have fundamentally transformed the city, and which have rarely been considered alongside each other. Nazneen Khan-Østrem has a cosmopolitan background herself, being a British, Muslim, Asian woman, born in Nairobi and raised in the UK and Norway, which has helped her in unravelling the city's rich immigrant history and its constant ongoing evolution. Drawing on London's rich literature and its musical heritage, she has created an intricate portrait of a strikingly multi-faceted metropolis. Based on extensive research, particularly into aspects not generally covered in the wide array of existing books on the city, London manages to capture the city's enticing complexity and its ruthless vitality. This celebration of London's diverse immigrant communities is timely in the light of the societal fault lines exposed by the Covid-19 pandemic and Brexit. It is a sensitive and insightful book that has a great deal to say to Londoners as well as to Britain as a whole.

A guide to the contemporary London stage as well as an argument about its future, the book walks readers through the city’s performance spaces following the Brexit vote. Austerity-era London theatre is suffused with the belief that private ownership defines full citizenship, its perspective narrowing to what an affluent audience might find relatable. From pub theatres to the National, Michael Meeuwis reveals how what gets put on in London interacts with the daily life of the neighbourhoods in which they are set. This study addresses global theatregoers, as well as students and scholars across theatre and performance studies—particularly those interested in UK culture after Brexit, urban geography, class, and theatrical economics.

A family held together with one lifeline – food. Helen has grown up in the UK, but always felt a piece of her story was missing. Amidst the skyscrapers and bustling streets of Hong Kong, she meets her grandmother, Lily Kwok, and steps into a past of shocking family secrets that will change her life forever. Based on Helen Tse’s bestselling novel Sweet Mandarin, this evocative new play by award-winning writer In-Sook Chappell tells the extraordinary story of the women behind the famous Manchester restaurant.

Play about Ada Lovelace, the first computer and Artificial Intelligence today. Suitable for schools, colleges and youth groups.Offers good roles for girls/women to perform relating to STEM subjects. “You may turn the handle, and I will whirr and calculate without error!” Decades before the first computers are built, Ada imagines machines that can do anything, even compose beautiful pieces of music. Far beyond Ada’s future, a learning machine called Ginny breaks free of her routine and tests the boundaries of what ought to be possible.ADA is an intricate re-telling of the life and legacy of Ada Lovelace, pioneer of computing, paralleling her history with a contemporary story about the potential of artificial intelligence.

... A South African gunrunner turned Buddhist monk. ... A gullible startup millionaire. ... His radical feminist ex wife. ... Their aid worker daughter. ... The young British Muslim she met in Syria. ... An ethical Serbian hitman. And an unstable Brazilian cleaner. Modern Britain. Moral chaos. Total nightmare. A new comedy about life in Brexit Britain, the lies we tell to each other – and to ourselves.

SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE Next Lesson is a new play by Chris Woodley, about the challenges of growing up gay. In 1988, 14-year-old Michael comes out as gay. Later he returns to the same school as a teacher. In the background: the notorious Section 28 of Thatcher’s Local Government Act, which prohibited schools from “promoting homosexuality” and divided teachers and parents. The narrative of the play spans from 1988 to 2003. Ideal for drama students, colleges, amateur theatre groups, local theatres. Publishing to coincide with LGBTQ History Month, February 2019. Reviews 'How has being queer in the classroom changed over the past thirty years? This informative play is your revision guide. Next Lesson is one school play that you won’t want to miss.' ***** ‘A Masterpiece’ – Gay Times 'Section 28 was one of the most hateful pieces of legislation brought in by Margaret Thatcher in the 1980s. Next Lesson by Chris Woodley looks at the knock-on effects of this legislation in the same school between 1988 and 2006. It’s funny, moving and heartwarming stuff. This excellent play is a great reminder of how fear and oppression can cause untold damage amongst vulnerable teenagers and that with love, honesty and unity we can overcome the curveballs life throws at us.' ***** ‘Incredible’ – attitude 'Definitely worth going back to school for.' **** – DIVA 'The first thing to say about Chris Woodley’s play Next Lesson is that it is very good. An A+, 10 out of 10, top marks, gold star and any other educational phrase that can be applied to 75 minutes of how relationships work: mother to son, teacher to pupil, friend to friend and lover to lover.' **** ‘A+’ –Boyz 'What Woodley has achieved in his debut play is remarkable... Next Lesson is informative without being didactic, telling a very personal story as well as having clarity of the world at large, all the while wearing its heart on its sleeve.' **** ‘Remarkable’ –Female Arts 'Brought in by the Thatcher regime, Section 28 of the 1988 Local Government Act forbade local authorities from promoting homosexual relationships as equal to heterosexual ones. This hated piece of legislation created confusion and caution in schools, undoubtedly prevented teachers from addressing homophobic bullying, denying lesbian and gay pupils appropriate sex and social education. Chris Woodley’s excellent play charts the education system through those years, creating lesbian, gay and bi characters from both sides of the classroom and staff room.' **** ‘Highly entertaining’ –British Theatre 'This short production touches on a number of key issues that affected countless people within the LGBT+ community (and their loved ones), not just in the wake of Section 28 but throughout history. ‘Next Lesson’ is an educational piece devoted to the examination of this vital part in legal discrimination’s history, and will be eye- opening to many who perhaps did not know about this law and its damaging legacy.' **** ‘Impressive’ –West End Wilma About the author Chris Woodley is an actor, writer, teacher and co-founder of Hyphen Theatre Company. Chris trained as an actor at Mountview Academy of Theatre Arts. As a writer, his credits include: The Soft Subject (A Love Story) (Assembly Hall), Bedtime Story (Theatre Royal Stratford East), Next Lesson (The Pleasance) and co-writer for My Boyfriend Jesus Christ (Karamel Klub) and When The Lights Went Out At Christmas (The BRIT School). His recent theatre credits include: KATE (Greenwich Theatre), You Should Be So Lucky (Above The Stag), Walking: Holding (The Yard), From Russia, For Love (Theatre Deli), An Enemy of the People (New Diorama), The Gay Naked Play (Above The Stag), This Child (The Bridewell Theatre) and Rainman (Karamel Klub). Television credits include: Extras.