This eloquent and provocative essay describes the emergence of a Virginia gentleman. Sent to England for an education, William Byrd II soon learned to emulate the ideals of English gentility. In 1704 the thirty-year-old Byrd inherited his father's estates in Virginia, but he lived in England for much of the next twenty-five years pursuing his political ambitions. Thwarted in his efforts to obtain either the position to which he aspired or a wealthy bride, Byrd finally faced personal and financial ruin. Only then did he come to be both literally and figuratively at home in Virginia. The story is told through Kenneth Lockridge's compelling reading of a seemingly intractable source: Byrd's secret diaries. Drawing upon psychohistory, social psychology, cultural anthropology, and literary criticism, Lockridge relates the narrative of a single life, of a person struggling for realization within the context of a Virginia aristocracy itself striving for a mature conception of its role. He captures the essence of what it was to become a Virginia gentleman, and the terrible price leading Virginians paid for the eventual success of their class. In the process, Lockridge demonstrates how a close reading of literary texts can reveal large historical themes. He explores the politics of the eighteenth-century colonial and imperial world and reveals the exact moment at which a matured colonial gentry seized the initiative from its British masters -- fifty years before the Revolution.

A transcription from the original shorthand of the first part of Byrd's diary now in the Henry E. Huntington Library. Parts covering the period from December 13, 1717, to May 19, 1721, and from August 10, 1739, to August 31, 1741, are located in the Virginia Historical Society and the University of North Carolina Library respectively. cf. Introd.

After his 1728 Virginia-North Carolina boundary expedition, Virginia planter and politician William Byrd II composed two very different accounts of his adventures. The Secret History of the Line was written for private circulation, offering tales of scandalous behavior and political misconduct, peppered with rakish humor and personal satire. The History of the Dividing Line, continually revised by Byrd for decades after the expedition, was intended for the London literary market, though not published in his lifetime. Collating all extant manuscripts, Kevin Joel Berland's landmark scholarly edition of these two histories provides wide-ranging historical and cultural contexts for both, helping to recreate the social and intellectual ethos of Byrd and his time. Byrd enriched his narratives with material appropriated from earlier authors, many of whose works were in his library--the most extensive in the American colonies. Berland identifies for the first time many of Byrd's sources and raises the question: how reliable are histories that build silently upon antecedent texts and present borrowed material as firsthand testimony? In his analysis, Berland demonstrates the need for a new category to assess early modern history writing: the hybrid, accretional narrative.

In this long-awaited work, Isaac mines the diary of a Revolutionary War-era Virginia planter--and many other sources--to reconstruct his interior world as it plunged into turmoil.

What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.