Is the world just a cultural construct where people create their own realities? In this illuminating and wide-ranging philosophical treatise, Brian Morris critiques broad swathes of recent theory as he seeks to reclaim anthropology as a historical social science. He achieves this by grounding it within a metaphysic of "dialectical naturalism" or "evolutionary realism"--a tradition long ignored by academic philosophy. After reviewing the anthropological background of this worldview--the Greeks and the Enlightenment--Morris explores two essential themes. First, he critically assesses the main forms of dialectical naturalism, including Darwin's evolutionary theory, Marx's historical materialism, and the hylo-realism of the philosopher-scientist Mario Bunge. Second, he offers a strong plea to retain the dual heritage of anthropology as a historical science that combines both humanism and naturalism. A powerful philosophical manifesto, the book cogently upholds dialectical naturalism as the most grounding philosophy for anthropology and the social sciences.

To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.

Dialectics in Social Thought examines the work of thinkers who used dialectics in their attempts to understand the world. Among them are foundational thinkers such as Marx, Freud, and Nietzsche; seminal social critics of the last century such as Camus and Sartre; and current contributors like Badiou, Rancière, and Žižek.

Life in the city can be both liberating and oppressive. The contemporary city is an arena in which new and unexpected personal identities and collective agencies are forged and at the same time the major focus of market forces intent on making all life a commodity. This book explores both sides of the urban experience, developing a perspective from which the contradictory nature of the politics of the city comes more clearly into view. Dialectical Urbanism discusses a range of urban issues, conflicts and struggles through detailed case studies set in Liverpool, Baltimore, New York, and Los Angeles. Issues which affect the quality of everyday life in the citygentrification and development, affordable rents, the accountability of local government, the domination of the urban landscape by new corporate giants, policingare located in the context of larger political and economic forces. At the same time, the narrative constantly returns to those moments in which city dwellers discover and develop their capacity to challenge larger forces and decide their own conditions of life, becoming active citizens rather than the passive consumers. Merrifield draws on a wide range of sourcesfrom interviews with activists and tenants fighting eviction to government and corporate reportsand uncovers surprising connections, for example, between the rise of junk bonds in the 1980s and urban improvement schemes in a working-class neighborhood in Baltimore. This lively and many-sided narrative is constantly informed by broader analyses and reflections on the city and engages with these analyses in turn. It fuses scholarship and political engagement into a powerful defense of the possibilities of life in the metropolis today.

This volume explores the constitutive role of rhetoric in socio-cultural relations, where discursive persuasion is so important, and contains both theoretical chapters as well as fascinating examples of the ambiguities and effects of rhetoric used (un)consciously in social praxis. The elements of power, competition and political persuasion figure prominently. It is an accessible collection of studies, speaking to common issues and problems in social life, and shows the heuristic and often explanatory value of the rhetorical perspective.