A revolutionary compilation of speeches which produced a political groundwork for many of the radical movements in the following decades The now legendary Dialectics of Liberation congress, held in London in 1967, was a unique expression of the politics of dissent. Existential psychiatrists, Marxist intellectuals, anarchists, and political leaders met to discuss key social issues. Edited by David Cooper, The Dialectics of Liberation compiles interventions from congress contributors Stokely Carmichael, Herbert Marcuse, R. D. Laing, Paul Sweezy, and others, to explore the roots of social violence. Against a backdrop of rising student frustration, racism, class inequality, and environmental degradation—a setting familiar to readers today—the conference aimed to create genuine revolutionary momentum by fusing ideology and action on the levels of the individual and of mass society. The Dialectics of Liberation captures the rise of a forceful style of political activity that came to characterize the following years.

The now legendary Dialectics of Liberation congress, held in London in 1967, was a unique expression of the politics of dissent. Existential psychiatrists, Marxist intellectuals, anarchists, and political leaders met to discuss key social issues. Edited by David Cooper, The Dialectics of Liberation compiles interventions from congress contributors Stokely Carmichael, Herbert Marcuse, R. D. Laing, Paul Sweezy, and others, to explore the roots of social violence. Against a backdrop of rising student frustration, racism, class inequality, and environmental degradation-a setting familiar to readers today-the conference aimed to create genuine revolutionary momentum by fusing ideology and action on the levels of the individual and of mass society. The Dialectics of Liberation captures the rise of a forceful style of political activity that came to characterize the following years.

"The Dialectics of Black Liberation: The African Liberation Support Committee is a study that analyses the important ideological debates (Marxism and Nationalism), anti-imperialist social movements, and support for African liberation. Over four key years grass roots organizing was the basis for a vibrant national movement"--

In Dialectics of the Ideal: Evald Ilyenkov and Creative Soviet Marxism Levant and Oittinen provide a window into the subterranean tradition of ‘creative’ Soviet Marxism, which developed on the margins of the Soviet academe and remains largely outside the orbit of contemporary theory in the West. With his ‘activity approach’, E.V. Ilyenkov, its principal figure in the post-Stalin period, makes a substantial contribution toward an anti-reductionist Marxist theory of the subject, which should be of interest to contemporary theorists who seek to avoid economic and cultural reductionism as well as the malaise of postmodern relativism. This volume features Levant’s translation of Ilyenkov’s Dialectics of the Ideal (2009), which remained unpublished until thirty years after the author’s tragic suicide in 1979. Contributors include: Evald Ilyenkov, Tarja Knuuttila, Alex Levant, Andrey Maidansky, Vesa Oittinen, Paula Rauhala, and Birger Siebert.

To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.

This collection of 35 years of Dunayevskaya's writings, based on active participation, interviews, and meetings develops the dialectics of revolution which emerges from masses in motion, including not only women and men, but the forces of labour, youth, the black dimension and women's liberation.