A study of the theory of the devil's rights in relation to medieval theology of the redemption, as this is treated in the popular literature of medieval England.

A study of the immensely popular "lives" of Christ and the Virgin in medieval France.

Essays reflecting the most recent research on the thirteenth century, with a timely focus on the Treaty of Paris. Additional editors: Karen Stöber, Björn Weiler The articles collected here bear witness to the continued and wide interest in England and its neighbours in the "long" thirteenth century. The volume includes papers on the high politics of the thirteenth century, international relations, the administrative and governmental structures of medieval England and aspects of the wider societal and political context of the period. A particular theme of the papers is Anglo-French political history, and especially the ways in which that relationship was reflected in the diplomatic and dynastic arrangements associated with the Treaty of Paris, the 750th anniversary of which fell during 2009, a fact celebrated in this collection of essays and the Paris conference at which the original papers were first delivered. Contributors: Caroline Burt, Julie E. Kanter, Julia Barrow, Benjamin L. Wild, WilliamMarx, Caroline Dunn, Adrian Jobson, Adrian R. Bell, Chris Brooks, Tony K. Moore, David A. Trotter, William Chester Jordan, Daniel Power, Florent Lenègre

Visions were highly popular in the late Middle Ages, whether preached as vivid stories from the pulpit, illuminated in saint-filled manuscripts, or experienced during the breathless anticipation of a Mass or eerie darkness of a Yorkshire graveyard. This volume is the first to map out the wide range of vision types in late medieval English lay piety. Analyzing 1000 visionary accounts gathered from sermon and exempla collections, religious devotional works, saints’ legends, and lay stories, it explores five central dynamics of spirituality that visions shaped and sustained: Transactions of Satisfaction (visits to and from purgatory and hell), Reciprocated Devotion (visitations of the saints), Spiritual Warfare (attacks by demons), Supra-Sacramental Sight (Mass and Passion sightings), and Mediated Revelation (prophetic visions).

Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how literary voices evoke the elusive voices lurking beyond the text, capturing the absent authorial voice, the traces of scribal voices and the soundscape of the uttered text. It explores multiple dimensions of medieval voice and vocalisations, and the interactions between literary voices and their authorial, scribal and socio-political settings. It contends that through the theorizing of literary voices we can begin to understand the ways in which medieval voices mediate or proclaim an embodied selfhood or material presence, how they dictate or contest moral conventions, and how they create and sustain narrative soundscapes.

Organised in 2008 by four medievalists from the University of Sheffield, Locating the Voice: Expressions of Identity in the Middle Ages provided a theatre for dialogue between postgraduates and early career researchers from around the world. This collection of articles, born out of the conference, forms an intriguing and interesting way of looking at identity and reflects the editors’ desire to reconcile ideas within adjacent interdisciplinary fields of study. Reaching far beyond the domain of medieval literature, already familiar to so many, this book examines the authorial and pictorial voice, the voice of national identity and even the physical attributes a medieval voice may have had. Each contributor shows how, in locating the voice in their own field of research, it is possible to build a multi-disciplinary approach to individuality and identity in the medieval world.

The book will equip the reader with a stronger understanding of the religious and historical background to these late medieval texts. It will provide insight into the influence of the biblical Apocalypse upon the literature of the period in a systematic way. Importantly, by treating the writings of Julian of Norwich and William Langland as contemporaneous the book balances the female and male approaches to and engagement with the biblical Apocalypse.