The Devil's Mousetrap approaches the thought of three colonial New England divines--Increase Mather, Jonathan Edwards, and Edward Taylor--from the perspective of literary theory. Author Linda Munk focuses on the background of these men's ideas and on the sources from which they drew, both directly and indirectly, in framing their theology. She notes that the language used in the pulpit by Mather, Edwards, and Taylor is full of allusions to the Bible and Apocrypha, to Puritan treatises, and to post-biblical exegesis, Jewish and Christian. Munk proceeds to unpack many allusions that have, for the most part, proven to be unclear to contemporary readers, in order to provide essential insights into the construction of Puritan theology.

The Devil's Mousetrap approaches the thought of three colonial New England divines--Increase Mather, Jonathan Edwards, and Edward Taylor--from the perspective of literary theory. Author Linda Munk focuses on the background of these men's ideas and on the sources from which they drew, both directly and indirectly, in framing their theology. She notes that the language used in the pulpit by Mather, Edwards, and Taylor is full of allusions to the Bible and Apocrypha, to Puritan treatises, and to post-biblical exegesis, Jewish and Christian. Munk proceeds to unpack many allusions that have, for the most part, proven to be unclear to contemporary readers, in order to provide essential insights into the construction of Puritan theology.

A bold retelling of the history of lying in medieval and early modern Europe Is it ever acceptable to lie? This question plays a surprisingly important role in the story of Europe's transition from medieval to modern society. According to many historians, Europe became modern when Europeans began to lie—that is, when they began to argue that it is sometimes acceptable to lie. This popular account offers a clear trajectory of historical progression from a medieval world of faith, in which every lie is sinful, to a more worldly early modern society in which lying becomes a permissible strategy for self-defense and self-advancement. Unfortunately, this story is wrong. For medieval and early modern Christians, the problem of the lie was the problem of human existence itself. To ask "Is it ever acceptable to lie?" was to ask how we, as sinners, should live in a fallen world. As it turns out, the answer to that question depended on who did the asking. The Devil Wins uncovers the complicated history of lying from the early days of the Catholic Church to the Enlightenment, revealing the diversity of attitudes about lying by considering the question from the perspectives of five representative voices—the Devil, God, theologians, courtiers, and women. Examining works by Augustine, Bonaventure, Martin Luther, Madeleine de Scudéry, Jean-Jacques Rousseau, and a host of others, Dallas G. Denery II shows how the lie, long thought to be the source of worldly corruption, eventually became the very basis of social cohesion and peace.

Rose-Marie and Rainer Hagen provide answers to these and other questions about world-famous works of art. Guiding our eye to revealing details, they also shed fascinating light on fishions and lifestyles, loves and intrigues, politics and people, and transform our encounter with art into an exciting adventure. Book jacket.

The twelve essays in this collection advance the contemporary study of the women saints of Anglo-Saxon England by challenging received wisdom and offering alternative methodologies. The work embraces a number of different scholarly approaches, from codicological study to feminist theory. While some contributions are dedicated to the description and reconstruction of female lives of saints and their cults, others explore the broader ideological and cultural investments of the literature. The volume concentrates on four major areas: the female saint in the Old English Martyrology, genre including hagiography and homelitic writing, motherhood and chastity, and differing perspectives on lives of virgin martyrs. The essays reveal how saints’ lives that exist on the apparent margins of orthodoxy actually demonstrate a successful literary challenge extending the idea of a holy life.

Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.