In the half-century before Poland’s long-awaited political independence in 1918, anxiety surrounding the country’s burgeoning sex industry fueled nearly constant public debate. The Devil’s Chain is the first book to examine the world of commercial sex throughout the partitioned Polish territories, uncovering a previously hidden conversation about sexuality, gender propriety, and social class. Keely Stauter-Halsted situates the preoccupation with prostitution in the context of Poland’s struggle for political independence and its difficult transition to modernity. She traces the Poles’ growing anxiety about white slavery, venereal disease, and eugenics by examining the regulation of the female body, the rise of medical authority, and the role of social reformers in addressing the problem of paid sex. Stauter-Halsted argues that the sale of sex was positioned at the juncture of mass and elite cultures, affecting nearly every aspect of urban life and bringing together sharply divergent social classes in what had long been a radically stratified society. She captures the experiences of the impoverished women who turned to the streets and draws a vivid picture of the social milieu that shaped their choices. The Devil’s Chain demonstrates that discussions of prostitution and its attendant disorders—sexual deviancy, alcoholism, child abuse, vagrancy, and other related problems—reflected differing visions for the future of the Polish nation.

Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.

Welcome to a world where blood, lust, power, loyalty, and desires to kill are taken to their limits. Out of the darkness where that mans lust for power is allowed to exist, the unimaginable emerged. From the forgotten legends of ancient times, they have been called forth into the world once againdevils. From within the shadows, rogue hunters arise, operating for their own reasons but aim for the same goals. The devils do not walk unchallenged. Terror doesnt flourish without resistance, and a battle for survival erupts. An age that changed from peace to violence and sin, trading blood for blood, humanity may be lost. But from the ashes of destroyed hope, a new legend emerges, a figure harbored by death, respectfully feared by devils, and distrusted by humanity. A stolen child who became a devil slayer and who became a devil, his name is Heartnik. Try to kill me if you can, but ready or not, Im coming for you.

From the creator of the popular blog The Monsters Know What They’re Doing comes a compilation of villainous battle plans for Dungeon Masters. In the course of a Dungeons & Dragons game, a Dungeon Master has to make one decision after another in response to player behavior—and the better the players, the more unpredictable their behavior! It’s easy for even an experienced DM to get bogged down in on-the-spot decision-making or to let combat devolve into a boring slugfest, with enemies running directly at the player characters and biting, bashing, and slashing away. In The Monsters Know What They’re Doing, Keith Ammann lightens the DM’s burden by helping you understand your monsters’ abilities and develop battle plans before your fifth edition D&D game session begins. Just as soldiers don’t whip out their field manuals for the first time when they’re already under fire, a DM shouldn’t wait until the PCs have just encountered a dozen bullywugs to figure out how they advance, fight, and retreat. Easy to read and apply, The Monsters Know What They're Doing is essential reading for every DM.

No-one who has ever seen the original 'The Texas Chain Saw Massacre' (1974) is ever likely to forget the experience. An intense fever dream (or nightmare), it is remarkable for its sense of sustained threat and depiction of an insane but nonetheless (dys)functional family on the furthest reaches of society who have regressed to cannibalism in the face of economic hardship. As well as providing a summary of the making of the film, this book discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film with particular reference to the concept of 'the Uncanny'. The book also situates the film in the context of horror film criticism (the 'Final Girl' character) and discusses its influence and subsequent sequels and remakes.

This theological classic is organized as follows: To the Christian Reader I. Of the Body of Scripture, and Theology II. Of God, and the Nature of God III. Of the Life of God IV. Of God’s Glory, and Blessedness V. Concerning the Persons of the Godhead VI. Of God’s Works, and His Decree VII. Of Predestination and Creation VIII. Of Angels IX. Of Man, and the Estate of Innocency X. Of Sin, and the Fall of Angels XI. Of Mans Fall and Disobedience XII. Of Original Sin XIII. Of Actual Sin XIV. Of the Common Punishment of Sin XV. Of Election, and of Jesus Christ the Foundation Thereof XVI. Of the Union of the Two Natures in Christ XVII. Of the Distinction of Both Natures XVIII. Of Christs Nativity and Office XIX. Concerning the Outward Means of Executing the Decree of Election, and of the Decalogue XX. Of the First Commandment XXI. Of the Second Commandment XXII. Of the Third Commandment XXIII. Of the Fourth Commandment XXIV. Of the Fifth Commandment XXV. Concerning the Sixth Commandment XXVI. Of the Seventh Commandment XXVII. Of the Eighth Commandment XXVIII. Concerning the Ninth Commandment XXIX. Of the Tenth Commandment XXX. Of the Use of the Law XXXI. Of the Covenant of Grace XXXII. Of the Sacraments XXXIII. Of Baptism XXXIV. Of the Lords Supper XXXV. Of the Degrees of Executing God’s Decree of Election XXXVI. Concerning the First Degree of the Declaration of God’s Love XXXVII. Concerning the Second Degree of the Declaration of God’s Love XXXVIII. Concerning the Third Degree of the Declaration of God’s Love XXXIX. Of Repentance and the Fruits Thereof XL. Of Christian Warfare XLI. Of the First Assault XLII. Of the Second Assault XLIII. Of the Third Assault XLIV. Of the Patient Bearing of the Cross XLV. Of the Calling Upon God XLVI. Of Christian Apology, and Martyrdom XLVII. Of Edification, and Almes Among the Faithful XLVIII. Of the Fourth Degree, of the Declaration of God’s Love: And of the Estate of the Elect After This Life XLIX. Of the Estate of the Elect at the Last Day of Judgement L. Of the Estate of the Elect After Judgement LI. Concerning the Order of the Causes of Salvation, According to the Doctrine of the Church of Rome LII. Concerning the Decree of Reprobation LIII. Concerning the Execution of the Decree of Reprobation LIV. Concerning a New Devised Doctrine of Predestination, Taught by Some New and Late Divines LV. Of the State and Condition of the Reprobates When They Are Dead LVI. Of the Condemnation of the Reprobates at the Last Judgement LVII. Of the Estate of the Reprobates in Hell LVIII. Of the Application of Predestination