The Loner strides sets out for another bloody showdown with the outlaws responsible for his wife's violent and senseless murder--and discovers his true enemy was far closer than he thought. . . Hell Hath No Fury. . . After Conrad Browning, known as The Loner, takes down the men who killed his beloved wife, he hightails it to New Mexico to visit her grave. There, he gets the surprise of his life: His ex-fiancée, Pamela Tarleton, backed up by a vicious gang of gunmen. Turns out the beautiful Miss Tarleton has a long memory--and she's never forgiven Conrad for breaking their engagement and marrying another. On top of that, she blames Conrad for her father's death. With a band of kill-crazy outlaws backing Pamela's play, the only way out for The Loner to survive the coming hell storm is by the gun.

The figure of the violent man in the African American imagination has a long history. He can be found in 19th-century bad man ballads like "Stagolee" and "John Hardy," as well as in the black convict recitations that influenced "gangsta" rap. "Born in a Mighty Bad Land" connects this figure with similar characters in African American fiction. Many writers -- McKay and Hurston in the Harlem Renaissance; Wright, Baldwin, and Ellison in the '40s and '50s; Himes in the '50s and '60s -- saw the "bad nigger" as an archetypal figure in the black imagination and psyche. "Blaxploitation" novels in the '70s made him a virtually mythical character. More recently, Mosley, Wideman, and Morrison have presented him as ghetto philosopher and cultural adventurer. Behind the folklore and fiction, many theories have been proposed to explain the source of the bad man's intra-racial violence. Jerry H. Bryant explores all of these elements in a wide-ranging and illuminating look at one of the most misunderstood figures in African American culture.

Conrad Browning, still hiding his true identity, seeks to discover who was behind the kidnapping and murder of his wife, but while trying to draw the killers out he stumbles onto a feud between Devil Dave Whitfield and the MacTavishes.

It’s impossible to put this book down! It’ll make you cry, laugh, hate, and love towards everyone around you.

NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • Startlingly observed, beautifully written, this book is a contemporary classic of the American West. • "As good a book as I have read about rural America in a very long time." —The New York Times Book Review In 1909 maps still identified eastern Montana as the Great American Desert. But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders—many of them immigrants—went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive. In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories.