Rather than theoretical or abstract, above all else, this monograph endeavors to serve as a practical guide, a handbook for helping us navigate a dark terrain. It neither presumes to examine the sources of evil nor suggest radical cures. These pages strive only to continue the process of naming the signs of individual evil that we might recognize these persons before they inflict even more damage. Scott Peck says it best. “If evil were easy to recognize, identify, and manage, there would be no need for this book.” Of course, he was referring to his own pioneering treatise; given the realities of our day, the need remains as great as ever. Vera B. Profit is Professor of German and Comparative Literature, University of Notre Dame. Previous monographs include: Interpretations of Iwan Goll’s late Poetry with a comprehensive and annotated Bibliography of the Writings by and about Iwan Goll, Ein Porträt meiner Selbst: Karl Krolow’s Autobiographical Poems (1945-1958) and Their French Sources, Menschlich: Gespräche mit Karl Krolow. She earned her Ph.D. in Comparative Literature (French and German) at the University of Rochester, NY, and spent two years studying abroad: one at the University of Vienna, the other at the Sorbonne.

We stopped checking for monsters under our bed when we realized they were inside us -The Joker The devil next door brings to your door a package depicting the harsh reality of our society. Often in this competitive human race, swamped by the dark and negative motives created from our unmet expectations and desires, we end up being the devil in someone's life along with our own. Devil is not always like the one you see in horror movies. Devil lies in all of us in the form of Anger, Vengeance, Jealousy, Ego and Comparison. This book contains the stories and poems depicting the emotions of the victims of this horrendous world we thrive in. Life is indeed a survival for we don't know what that knock on the door brings in. So hold yourself together as the most hideous deeds of the mankind get unfold.

"A triumphantly moving book." —Kirkus Reviews, starred review Hannah dreads going to her family's Passover Seder—she's tired of hearing her relatives talk about the past. But when she opens the front door to symbolically welcome the prophet Elijah, she's transported to a Polish village in the year 1942. Why is she there, and who is this "Chaya" that everyone seems to think she is? Just as she begins to unravel the mystery, Nazi soldiers come to take everyone in the village away. And only Hannah knows the unspeakable horrors that await. A critically acclaimed novel from multi-award-winning author Jane Yolen. "[Yolen] adds much to understanding the effects of the Holocaust, which will reverberate throughout history, today and tomorrow." —SLJ, starred review "Readers will come away with a sense of tragic history that both disturbs and compels." —Booklist Winner of the National Jewish Book Award An American Bookseller "Pick of the Lists"

Cannibalism. Murder. Rape. Absolute brutality. When civilizations ends...when the human race begins to revert to ancient, predatory savagery...when the world descends into a bloodthirsty hell...there is only survival. But for one man and one woman, survival means becoming something less than human. Something from the primeval dawn of the race. "Shocking and brutal, The Devil Next Door will hit you like a baseball bat to the face. Curran seems to have it in for the world ... and he's ending it as horrifyingly as he can." - Tim Lebbon, author of Bar None "The Devil Next Door is dynamite! Visceral, violent, and disturbing!." Brian Keene, author of Castaways and Dark Hollow

Annie, Ben, and Jane investigate the strange habits of the owners of the Hauntly Manor Inn and their spooky young son.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Publishers Weekly New Hyde Hospital’s psychiatric ward has a new resident. It also has a very, very old one. Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die? The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons. Praise for The Devil in Silver “A fearless exploration of America’s heart of darkness . . . a dizzying high-wire act.”—The Washington Post “LaValle never writes the same book and his recent is a stunner. . . . Fantastical, hellish and hilarious.”—Los Angeles Times “It’s simply too bighearted, too gentle, too kind, too culturally observant and too idiosyncratic to squash into the small cupboard of any one genre, or even two.”—The New York Times Book Review “Embeds a sophisticated critique of contemporary America’s inhumane treatment of madness in a fast-paced story that is by turns horrifying, suspenseful, and comic.”—The Boston Globe “LaValle uses the thrills of horror to draw attention to timely matters. And he does so without sucking the joy out of the genre. . . . A striking and original American novelist.”—The New Republic