‘I don’t regret anything, really. I never wanted to live a sensible life … I didn’t want a sensible death either.’ War-torn Africa, a Middle East in crisis, and post-Soviet Eastern Europe form the backdrop to the stories told in The Devil Is a Black Dog — stories based on the extraordinary experiences of acclaimed photojournalist Sándor Jászberényi. From Cairo to the Gaza Strip, from Benghazi to Budapest, his characters contemplate the meaning of home, love, family, and friendship in the face of brutality. Immersed in the societies he reports on and heedless in the face of war and revolution, Jászberényi observes mothers, martyrs, soldiers, and lovers who must confront the extremes of contemporary experience. In spare, evocative prose, he combines fact and fiction to create a profoundly true portrait of the humanity behind the headlines. PRAISE FOR SÁNDOR JÁSZBERÉNYI ‘Unforgettable … an indispensable volume that helps us to remember and regard some of the greatest ruptures of our time.’ The Sydney Morning Herald ‘Extraordinary … Searingly truthful.’ The Independent

In the nineteen extraordinary stories that comprise The Devil Is a Black Dog and Other Stories, writer and photojournalist Sándor Jászberényi shows us the human side of war and revolution in the contemporary Middle East and Africa, and of the social upheaval that has held Eastern Europe in its grip since the fall of communism. Characters contemplate the meaning of home, love, despair, family, and friendship against the backdrop of brutality. From Cairo to the Gaza Strip, from Benghazi to Budapest, religious men have their faith challenged, and people under the duress of war or traumatic personal memories deal with the feelings that emerge. Often they seem to suppress these feelings . . . but, no, not quite. Set in countries the author has reported from or lived in, these stories are all told from different perspectives, but always with the individual at the center: the mother, the soldier, the martyr, the religious man, the journalist, and so on. They form a kaleidoscope of miniworlds, of moments, of decisions that together put a face, an emotion, a thought behind humans who confront war and conflict. Although they are fiction, they could have all happened exactly as they are told. Each story leaves a powerful visual image, an unforgettable image you conjure up again and again. Jászberényi is able to do all this so convincingly, in part, because he himself is not a "helicopter journalist" but rather lives in a residential Cairo neighborhood. He is, moreover, from a corner of Eastern Europe where cynicism almost equates with survival, and yet his writing evinces not only wry humor but great sensitivity and a profound sense of beauty. He speaks Arabic (in addition to English and his native Hungarian) and immerses himself in the society he reports on. But, in doing so, he still remains a reporter, and as such the stories are approached with the clinical, observant eye of an outsider. Whether addressing the contradictions of international humanitarian work or the moral dilemmas faced by those who seek to improve the health and lives of women and girls, he does so in a singularly provocative and yet intelligent manner.

For centuries Black Shuck has patrolled the coastal paths of Norfolk, a spectral portent of death. But recent events have allowed the massive phantom dog to evolve, to metamorphose, into something altogether more horrifying. After wildlife filmmaker Harry Lambert stumbles into Black Shuck's territory, the fearsome beast finds what it was looking for.

Stone Barrington must battle a nasty opponent in this action-packed thriller from the #1 New York Times bestselling author. After returning home from a treacherous adventure, Stone Barrington is all too happy to settle back down in his New York City abode. But when he's introduced to a glamorous socialite with a staggering inheritance, Stone realizes his days are about to be anything but quiet. As it turns out, Stone's intriguing new companion has some surprisingly familiar ties and other far more sinister ones—including a nefarious enemy who gets too close for comfort. When it becomes clear that this miscreant will stop at nothing to get what he wants, and will endanger all whom Stone holds dear, Stone must step in to protect his friends and prevent a dangerous madman from wreaking havoc across the city.

In a land where gods walk on the hills and goddesses rise from river, lake, and spring, the caravan-guard Holla-Sayan, escaping the bloody conquest of a lakeside town, stops to help an abandoned child and a dying dog. The girl, though, is the incarnation of Attalissa, goddess of Lissavakail, and the dog a shape-changing guardian spirit whose origins have been forgotten. Possessed and nearly driven mad by the Blackdog, Holla-Sayan flees to the desert road, taking the powerless avatar with him. Necromancy, treachery, massacres, rebellions, and gods dead or lost or mad, follow hard on the their heels. But it is Attalissa herself who may be the Blackdog’s—and Holla-Sayan’s—doom.

Pulp History brings to life extraordinary feats of bravery, violence, and redemption that history has forgotten. These stories are so dramatic and thrilling they have to be true. In DEVIL DOG, the most decorated Marine in history fights for America across the globe—and returns home to set his country straight. Smedley Butler took a Chinese bullet to the chest at age eighteen, but that did not stop him from running down rebels in Nicaragua and Haiti, or from saving the lives of his men in France. But when he learned that America was trading the blood of Marines to make Wall Street fat cats even fatter, Butler went on a crusade. He threw the gangsters out of Philadelphia, faced down Herbert Hoover to help veterans, and blew the lid off a plot to overthrow FDR.