Local newspaper reporter Lauri Lebo was handed the story of a lifetime when the Dover (Pennsylvania) School Board adopted a measure to require its ninth-grade biology students to learn about intelligent design. In a case that recalled the famed 1925 Scopes "monkey" trial and made international headlines, eleven parents sued the school board. When the case wound up in federal court before a George W. Bush-appointed judge, Lebo had a front-row seat. Destined to become required reading for a generation of journalists, scientists, and science teachers, as well as for anyone concerned about the separation of church and state, The Devil in Dover is Lebo's widely praised account of a perfect storm of religious intolerance, First Amendment violations, and an assault on American science education. Lebo skillfully probes the compelling background of the case, introducing us to the plaintiffs, the defendants, the lawyers, and a parade of witnesses, along with Judge John E. Jones, who would eventually condemn the school board's decision as one of "breathtaking inanity." With the antievolution battle having moved to the state level--and the recent passage of state legislation that protects the right of schools to teach alternatives to evolution--the story will continue to be relevant for years to come.

“A brilliant account” of the controversial 2005 legal battle between evolution and creationism in public education “by a first-rate journalist” (Howard Zinn). In 2004, the School Board of Dover, Pennsylvania, decided to require its ninth-grade biology students to learn intelligent design—a pseudoscientific theory positing evidence of an intelligent creator. In a case that recalled the infamous 1925 Scopes “monkey” trial, eleven parents sued the school board. When the case wound up in federal court before a President George W. Bush–appointed judge, local journalist Lauri Lebo had a front-row seat. Destined to become required reading for a generation of journalists, scientists, and science teachers, as well as for anyone concerned about the separation of church and state, The Devil in Dover is Lebo’s acclaimed account of religious intolerance, First Amendment violations, and an assault on American science education. Lebo skillfully probes the background of the case, introducing the plaintiffs, the defendants, the lawyers, and a parade of witnesses, along with Judge John E. Jones III, who would eventually condemn the school board’s decision as one of “breathtaking inanity.” With the antievolution battle having moved to the state level—and the recent passage of state legislation that protects the right of schools to teach alternatives to evolution—Lebo’s work is more necessary than ever. “Lebo courageously exhibits the highest standards in intellectual honesty and journalistic ethos.” —Daily Kos “An unapologetic indictment of intelligent design, fundamentalist Christianity, and American journalism’s insistence on objectivity in the face of clear untruths.” —Columbia Journalism Review

This treasury of facts and lore on the philosophy and practice of evil traces the concept of Satan from ancient to modern times. A collection of 350 rare and compelling images illuminate the text.

“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

A preeminent medievalist presents a wonderful catalog of real and fanciful beasts, including the manticore, griffin, phoenix, amphivius, jaculus, and many other exotic animals. White's witty, erudite commentary on scientific and historical aspects enhances this survey of proto-zoology on which science is based and pre-scientific perceptions of the earth's creatures. 128 black-and-white illustrations.

Skip James (1902–1969) was perhaps the most creative and idiosyncratic of all blues musicians. Drawing on hundreds of hours of conversations with James himself, Stephen Calt here paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. And in doing so, Calt offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.

One dark night she meets her fate in the arms of shadowy duke... Fleeing a cruel stepfather, Harriet Russell escapes into a stormy night, relying only on the mercy of servants to help her. Her coach overturns, leaving her and her driver injured. Seeking help from whoever lives nearby, she stumbles between a set of gates guarded by fierce demonic gargoyle statues. As she enters the shadowy, haunted lands belonging to the Duke of Frostmore, she’s afraid of meeting with him, but she must in order to help her driver. Harriet comes face to face with the duke, she understands why he’s called the Devil of Dover, with his fierce sensual magnetism and his frightening temper. He’s beautiful, tempting and dangerous... He made a mistake once by falling in love and death followed... After the tragic deaths of his wife and brother, Redmond Barrington, the Duke of Frostmore, wants to be left alone and has barred all strangers from his lands. When an injured young woman begs for help, he finds himself reconsidering his vow of solitude as Christmas draws near. Harriet is as unwilling to trust in love as he is. What begins with a terrifying tension between them soon becomes something else entirely, a sensual passion that frightens him with its intensity. The more time he spends with her, the more Redmond wonders if fate might give him a second chance to chase away the ghosts of his past.