Animals, Animality, and Literature offers readers a one-volume survey of the field of literary animal studies in both its theoretical and applied dimensions. Focusing on English literary history, with scrupulous attention to the interplay between English and foreign influences, this collection gathers together the work of nineteen internationally noted specialists in this growing discipline. Offering discussion of English literary works from Beowulf to Virginia Woolf and beyond, this book explores the ways human/animal difference has been historically activated within the literary context: in devotional works, in philosophical and zoological treatises, in plays and poems and novels, and more recently within emerging narrative genres such as cinema and animation. With an introductory overview of the historical development of animal studies and afterword looking to the field's future possibilities, Animals, Animality, and Literature provides a wide-ranging survey of where this discipline currently stands.

‘I don’t regret anything, really. I never wanted to live a sensible life … I didn’t want a sensible death either.’ War-torn Africa, a Middle East in crisis, and post-Soviet Eastern Europe form the backdrop to the stories told in The Devil Is a Black Dog — stories based on the extraordinary experiences of acclaimed photojournalist Sándor Jászberényi. From Cairo to the Gaza Strip, from Benghazi to Budapest, his characters contemplate the meaning of home, love, family, and friendship in the face of brutality. Immersed in the societies he reports on and heedless in the face of war and revolution, Jászberényi observes mothers, martyrs, soldiers, and lovers who must confront the extremes of contemporary experience. In spare, evocative prose, he combines fact and fiction to create a profoundly true portrait of the humanity behind the headlines. PRAISE FOR SÁNDOR JÁSZBERÉNYI ‘Unforgettable … an indispensable volume that helps us to remember and regard some of the greatest ruptures of our time.’ The Sydney Morning Herald ‘Extraordinary … Searingly truthful.’ The Independent

Folklore Studies, No. 11, University Of California Publications. Additional Editors Are Charles Speroni And M. A. Zeitlin.

In the twisted jungles of Paradiso, humanity fights for its survival. The fierce, alien warriors of the Combined Army have poured through the Acheron Gate, descending upon the emerald jungles of the newest colonial world in a seemingly unstoppable torrent. The bestial Morat pound the Paradiso front, where brave men and women fight ceaselessly to maintain a defensive line which the sly Shasvastii penetrate with devastating ease. In the star-swept skies above, the collected might of humanity's armadas maintain a life-or-death blockade to cut off an endless horde of alien reinforcements. And if any of humanity's fractious forces falter, then all may be lost...

"If, as Chesterton claimed, the devil's greatest triumph was convincing the modern world that he does not exist, Jeffrey Burton Russell means to rob him of his victory. Lucifer: The Devil in the Middle Ages is both a scholarly assessment of the development of diabology in the Middle Ages and an impassioned plea to the 20th century to recognize and acknowledge the existence of real, objective evil. The third in a series of works tracing the history of the devil from his Judeo-Christian roots, it represents a formidable undertaking: the devil's history is integrally related to the problem of evil, which is in turn at the heart of Western religious thought. Each of the volumes on Satan comprises, in essence, a judicious and able tour of Christian theology from the villain's point of view... Book jacket.

Rich anthology of African-American folklore offers scores of humorous and harrowing stories. Collected during the mid-20th century, the tales tell of talking animals, ghosts, devils, and saints.