The Devil and Dr. Fauci is an unsparing critique of what author James Driscoll calls the "Drug Testing, Licensing, and Marketing Complex," or DTLM. Quietly dominating America's healthcare industry, the DTLM poses threats comparable in magnitude, if not in character, to those of the Military-Industrial Complex. With a satiric scalpel reminiscent of Jonathan Swift's, Driscoll eviscerates the DTLM's avatar Dr. Anthony Fauci, our age's version of the archetypal Dr. Faustus. He exposes Fauci's pivotal position in the DTLM, at whose core is the U.S. Food and Drug Administration. The FDA, Driscoll asserts, has long played Mephistopheles to Fauci's Faustus, with grave consequences for American healthcare. Dr. Driscoll's book is the first to upbraid the DTLM, FDA, and Fauci for exacerbating the Covid-19 crisis. Seeking to maximize profits from patentable vaccines, they rigorously suppressed off patent prophylaxis and treatment alternatives. This was but one of many DTLM follies that raised Covid's death toll and increased its socio-economic devastation. Other prominent follies were the mask posturing, arbitrary lockdowns, and closing of churches and schools that the DTLM and its political allies used to distract from their sacrifice of public health to their own agendas. We may never know if the Chinese deliberately released the Covid-19 virus, or if they created it. Yet the world now knows the destructive potential of gain of function technology. Similar epidemics or worse will strike us. To survive next time, we will need radical reforms in the FDA and transparency for the DTLM. But the opaque FDA bureaucracy, Driscoll concludes, is only one instance in our greater problem of deficient oversight within all of our increasingly powerful and ever less accountable federal bureaucracies.

Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.

#1 on AMAZON, and a NEW YORK TIMES, WALL STREET JOURNAL, USA TODAY and PUBLISHERS WEEKLY NATIONAL BESTSELLER Pharma-funded mainstream media has convinced millions of Americans that Dr. Anthony Fauci is a hero. He is anything but. As director of the National Institute of Allergy and Infectious Diseases (NIAID), Dr. Anthony Fauci dispenses $6.1 billion in annual taxpayer-provided funding for scientific research, allowing him to dictate the subject, content, and outcome of scientific health research across the globe. Fauci uses the financial clout at his disposal to wield extraordinary influence over hospitals, universities, journals, and thousands of influential doctors and scientists—whose careers and institutions he has the power to ruin, advance, or reward. During more than a year of painstaking and meticulous research, Robert F. Kennedy Jr. unearthed a shocking story that obliterates media spin on Dr. Fauci . . . and that will alarm every American—Democrat or Republican—who cares about democracy, our Constitution, and the future of our children’s health. The Real Anthony Fauci reveals how “America’s Doctor” launched his career during the early AIDS crisis by partnering with pharmaceutical companies to sabotage safe and effective off-patent therapeutic treatments for AIDS. Fauci orchestrated fraudulent studies, and then pressured US Food and Drug Administration (FDA) regulators into approving a deadly chemotherapy treatment he had good reason to know was worthless against AIDS. Fauci repeatedly violated federal laws to allow his Pharma partners to use impoverished and dark-skinned children as lab rats in deadly experiments with toxic AIDS and cancer chemotherapies. In early 2000, Fauci shook hands with Bill Gates in the library of Gates’ $147 million Seattle mansion, cementing a partnership that would aim to control an increasingly profitable $60 billion global vaccine enterprise with unlimited growth potential. Through funding leverage and carefully cultivated personal relationships with heads of state and leading media and social media institutions, the Pharma-Fauci-Gates alliance exercises dominion over global health policy. The Real Anthony Fauci details how Fauci, Gates, and their cohorts use their control of media outlets, scientific journals, key government and quasi-governmental agencies, global intelligence agencies, and influential scientists and physicians to flood the public with fearful propaganda about COVID-19 virulence and pathogenesis, and to muzzle debate and ruthlessly censor dissent.

This book describes how a charter member of Hillary Clinton's basket of deplorables views important issues that divide our country. Chapter 1 takes a critical look at the past, present, and future of the political left and right sides of that divide. Chapter 2 shows that abortion is properly a matter of religion rather than government. Chapter 3 pins the blame for the pandemic's cause and consequences solely on Dr. Anthony Fauci. Chapter 4 separates sex and gender into two different worlds. Chapter 5 examines how the flawed statistical modeling of global warming fails to disclose its causes or trajectory. Chapter 6 demonstrates the unconstitutionality and criminality of the 2020 presidential election. Chapter 7 reveals why this book ominously identifies the title of Joe Biden as chairman rather than president.

“Do you remember the woman in To Kill a Mockingbird who falsely accuses a black man of raping her? What could possess anyone to do such an evil thing—to viciously attempt to destroy a life by knowingly lying? For that answer look no farther than the riveting and gloriously candid The Devil’s Triangle by Mark Judge, who himself was targeted for destruction by that same evil, and who lived to tell the tale, if only so that we might all recognize the dark forces at work in our nation. In a voice evoking J.D. Salinger, Hunter S. Thompson, and yes, Lester Bangs—within a narrative that brings to mind All the President’s Men and Fast Times at Ridgemont High—Judge tells us the truth, in all of its brutality and beauty. May this book open the way for a spate of similar memoirs, whose honesty will lead this once-great nation out of the fetid triangular swamp of lies that is this brave book’s eponymous Devil’s Triangle¾and toward a new sunlit frontier, in which genuine liberty and unvarnished truth once more become our beacons and our hope.” —Eric Metaxas, #1 New York Times Bestselling author of Fish Out of Water: A Search for the Meaning of Life and Host of Socrates in the City In 2018, in the midst of a contentious Supreme Court confirmation battle, Christine Blasey Ford named Mark Judge as a witness to her alleged attempted rape over thirty years earlier at the hands of a teenaged Brett Kavanaugh. Overnight, the unassuming writer, critic, videographer, and recovering alcoholic was unwillingly thrust into the national media spotlight. Reporters combed through Judge’s writings, pored over his high school yearbook, hounded him with emails and phone calls, and invaded the privacy of his relatives, friends, and former girlfriends. He was mauled in the press, denounced in the Senate, received threatening late-night calls, became the target of a classic honey trap, and was even called out by Matt Damon on Saturday Night Live. As the lunacy reached its crescendo, Judge began to fear for his sanity⎯and even his life. A year later, still traumatized by this Kafkaesque experience, Judge found himself washing dishes in a Maryland restaurant, trying to piece his shattered life back together. Even at the time, it was clear that Judge himself was not the target of this campaign of vilification. Instead, it was an attempt to use his spotty record as a teenage alcoholic, and later, a political and cultural conservative, to destroy Brett Kavanaugh by proxy. The actors in this malicious and cynical plot were an informal cabal of partisan reporters, Democrats in Congress, and shadowy opposition researchers: a “Devil’s Triangle” whom Judge aptly compares to the Stasi, the dreaded East German secret police who terrorized citizens during the Cold War. Now, in a frank, confessional, and deeply moving book that stands comparison to Arthur Koestler’s Cold War classic Darkness at Noon, Judge rips the mask from the new American Stasi. Using pop culture, politics, the story of his friendship with Kavanaugh, and the fun, wild, and misunderstood 1980s, Judge celebrates sex, art, and freedom while issuing a timely warning to the rest of us about our own endangered freedoms.

Can fiction save us? Is there hope for America in the time of Trump, pandemics, QAnon, and the end of genuine political discourse? What better than this perfectly told novel to tell the story of so many of us to ourselves, as we seek hope and solace in terrible times. Andy McKnight had never seen anything like it; nobody had. The election of this man was breaking up families across the nation – wives and husbands, children and parents, lifelong friends, the fabric of American social life torn apart as it hadn’t been since the Civil War. The venom even seeped into his own happy home. Then came the pandemic, two plagues at once – even in the Bible they were one at a time. He tried escaping into the past, back to better times, but Max and Elly, an old man and a young girl he met on the streets of Santa Monica, jolted him back to reality. With others like them – mad as hell and not going to take it anymore – maybe it wasn’t too late after all.

“I CAN’T BREATHE!” These were the last words of more than a half-million people in America who contracted the deadly Coronavirus. Ironically, they were also among the last words of Mr. George Floyd, an African-American man murdered by Derek Chauvin, a white police officer who knelt on Mr. Floyd’s neck for eight minutes and forty-six seconds. Was it merely a coincidence that these same words were uttered in both instances? Was there a connection on some deeper, abstract level that should have served as a wake-up call for the United States of America? In 2020, two deadly viruses swept the nation: a new virus known as “COVID-19” and one centuries-old virus called “Racism.” The Fight of My Life: The Coronavirus: A Dance with the Devil is an inspirational tale of one man’s fight and path to victory over two invisible and deadly enemies.