This book traces the history, origins, meanings, and criticism of the medieval Icelandic manuscript, named Flateyjarbók.

Surveying the past two decades of scholarship on the medieval historiography of Norway, this book provides a critical appraisal of the principal issues involved in the study of the primary sources and the key areas of scholarship and future research.

Bringing alive the dramatic poems of Old Norse heroic legend, this new collection offers accessible, ground-breaking and inspiring essays which introduce and analyse the exciting legends of the two doomed Helgis and their valkyrie lovers; the dragon-slayer Sigurðr; Brynhildr the implacable shield-maiden; tragic Guðrún and her children; Attila the Hun (from a Norse perspective!); and greedy King Fróði, whose name lives on in Tolkien’s Frodo. The book provides a comprehensive introduction to the poems for students, taking a number of fresh, theoretically-sophisticated and productive approaches to the poetry and its characters. Contributors bring to bear insights generated by comparative study, speech act and feminist theory, queer theory and psychoanalytic theory (among others) to raise new, probing questions about the heroic poetry and its reception. Each essay is accompanied by up-to-date lists of further reading and a contextualisation of the poems or texts discussed in critical history. Drawing on the latest international studies of the poems in their manuscript context, and written by experts in their individual fields, engaging with the texts in their original language and context, but presented with full translations, this companion volume to The Poetic Edda: Essays on Old Norse Mythology (Routledge, 2002) is accessible to students and illuminating for experts. Essays also examine the afterlife of the heroic poems in Norse legendary saga, late medieval Icelandic poetry, the nineteenth-century operas of Richard Wagner’s Der Ring des Nibelungen, and the recently published (posthumous) poem by Tolkien, The Legend of Sigurd and Gudrún.

First published between 1932 and 1940, this is a three-volume study of the historical development of literature. It explores the oral and written literatures of regions from Iceland and the British Isles, to Russia, the Balkans, Africa, India and the Pacific, placing them in their historical context and examining similarities between them. The authors discuss both ancient and recent texts, illustrating the connections within each group and considering the question of whether all literary growth is influenced by common factors. Praised on publication as ' ... a work that is not, probably could not be, superseded' (International Journal of Comparative Sociology), the book remains a benchmark for those studying comparative literature or the history of literary criticism. Volume 1 analyses a range of medieval British and Icelandic poetry and sagas, drawing analogies with the literature of early Greece and focusing particularly on the concept of heroic literature.