Following Mussolini’s declaration of war in June 1940, initially Italy faced only those British troops based in the Middle East but as the armed confrontation in the Western Desert of North Africa escalated, other nations were drawn in — Germany, Australia, India, South Africa, New Zealand, France and finally the United States to wage the first major tank-versus-tank battles of the Second World War. First tracing the history of the very early beginnings of civilization in North Africa, and on through the period of Italian colonization, Jean Paul Pallud begins his account when the initial shots were fired at the 11th Hussars as they approached Italian outposts near Sidi Omar in Libya. It proved to be the opening move of a campaign which was to last for three years. When the Afrikakorps led by Rommel joined the battle in February 1941, the Germans soon gained the upper hand and recovered the whole of Cyrenaica, minus Tobruk, in the summer. The campaign then swung back and forth across the desert for another year until Rommel finally captured Tobruk in June 1942 and then moved eastwards into Egypt. With British fortunes at their lowest ebb, changes in command led to Montgomery launching his offensive at El Alamein the following November. This began the advance of the Eighth Army over a thousand miles to Tunisia, resulting in the final round-up of the German and Italian forces in May 1943. Jean Paul and his camera retraced the route just prior to the recent civil war in Libya and the uprisings in Tunisia and Egypt in 2011, so he was fortunate to capture the locations before yet another war left its trail of death and destruction. Although the campaign in 1940-43 was dominated largely by armor, nevertheless the Allies lost over 250,000 men killed, wounded, missing and captured and the Axis 620,000. Those that never came home lie in cemeteries scattered across the barren landscape of a battlefield that has changed little in over 70 years.

“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.

Presents more the three hundred photographs showing how the world has changed over the past century from industrialization, urbanization, natural disasters, war, and travel and tourism.

"North Africa was the site of some of the most volatile battles of World War II. For journalist Alan Moorehead, it was war in its purest form, "a knight's tournament in empty space."" "In Desert War, which includes the complete texts of The Mediterranean Front, A Year of Battle, and The End of Africa, Moorehead writes about what he saw. He recounts with dazzling prose and intimate detail the heroes and legends, the soldiers and prisoners, the military strategies, the strengths and weaknesses of those involved, and portraits of generals Rommel, Montgomery, and Patton. Woven throughout are observations on the landscape, the Mediterranean shores and the vast desert, which inevitably played a role in shaping the battles. For Moorehead, "desert warfare resembled war at sea. Men moved by compass. No position was static. Each truck or tank was as individual as a destroyer."" "Written by a man who lived and breathed the conflict in North Africa during World War II, Desert War is a eyewitness account and an inspired piece of writing by a master of his craft."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Greed and intrigue combine explosively in this gripping, masterly account of a key moment in the history of the Middle East, and a portrait of T.E. Lawrence--Lawrence of Arabia himself--that is bright, nuanced, and full of fresh insights into the true nature of the master mythmaker. Photos. Maps.

In this text, Field Marshal Lord Carver has used newly available first-hand historical resources to reassess the story of the British campaign in the North African desert. History shows that several key figures in these battles were wrongly criticised.

'Excellent ... a remarkable achievement and ought to be recognised as one of the most successful histories of the Western Desert and North African fighting yet to have appeared' John Keegan, Daily Telegraph For the British, the battle fought at El Alamein in October 1942 became the turning point of the Second World War. In this study of the desert war, John Bierman and Colin Smith show why it is remembered by its survivors as a 'war without hate'. Through extensive research the authors provide a compellingly fresh perspective on the see-saw campaign in which the two sides chased each other back and forth across the unforgiving North African landscape.