Humanly compelling, beautifully told ... brings to light a forgotten chapter of Indian history, one we need to remember in these troubled times' PRATAP BHANU MEHTA '[Joy Ma and Dilip D'Souza] have seamlessly woven together historical facts with personal stories about how the Chinese- Indians lost the country of their birth' YIN MARSH The untold account of the internment of 3,000 Chinese-Indians after the 1962 Sino-Indian War. Just after the Sino-Indian War of 1962, about 3,000 Chinese-Indians were sent to languish in a disused World War II POW camp in Deoli, Rajasthan, marking the beginning of a painful five-year-long internment without resolution. At a time of war with China, these ‘Chinese-looking’ people had fallen prey to government suspicion and paranoia which soon seeped into the public consciousness. This is a page of Indian history that comes wrapped in prejudice and fear, and is today largely forgotten. But over five decades on, survivors of the internment are finally starting to tell their stories. As several Indian communities are once again faced with discrimination, The Deoliwallahs records these untold stories through extensive interviews with seven survivors of the Deoli internment. Through these accounts, the book recovers a crucial chapter in our history, also documenting for the first time how the Chinese came to be in India, how they made this country their home and became a significant community, until the war of 1962 brought on a terrible incarceration, displacement and tragedy.

Winner of the 2023 PEN Translation Prize Winner of the 2023 NSW Premier’s Translation Prize An eerie, alienating, yet comic and profoundly sympathetic short story collection about Americans in America by one of Indonesia’s most prominent writers, now in an English translation for its fortieth anniversary, with a foreword by Intan Paramaditha A Penguin Classic In these seven stories of People from Bloomington, our peculiar narrators find themselves in the most peculiar of circumstances and encounter the most peculiar of people. Set in Bloomington, Indiana, where the author lived as a graduate student in the 1970s, this is far from the idyllic portrait of small-town America. Rather, sectioned into apartment units and rented rooms, and gridded by long empty streets and distances traversable only by car, it’s a place where the solitary can all too easily remain solitary; where people can at once be obsessively curious about others, yet fail to form genuine connections with anyone. The characters feel their loneliness acutely and yet deliberately estrange others. Budi Darma paints a realist world portrayed through an absurdist frame, morbid and funny at the same time. For decades, Budi Darma has influenced and inspired many writers, artists, filmmakers, and readers in Indonesia, yet his stories transcend time and place. With The People from Bloomington, Budi Darma draws us to a universality recognized by readers around the world—the cruelty of life and the difficulties that people face in relating to one another while negotiating their own identities. The stories are not about “strangeness” in the sense of culture, race, and nationality. Instead, they are a statement about how everyone, regardless of nationality or race, is strange, and subject to the same tortures, suspicions, yearnings, and peculiarities of the mind.

Set in British India of the 1920s, Waiting for Swaraj follows the cadence and tempo of the lives of the intrepid revolutionaries of the Hindustan Republican Association and the Hindustan Republican Socialist Association who challenged the British Raj. It seeks to comprehend the revolutionaries' self-conception - what did it mean to be a revolutionary? How did a revolutionary live out the vision of revolution, what was their everyday like, did life in revolution transform an individual, what was their truth and how was it different from that of the others? The book locates the essence of being a revolutionary not just in the spectacular moments when the revolutionaries threw a bomb or carried out a political assassination, but in the everyday conversations, banter, anecdotes, and in the stray fragments of the life in underground. It demonstrates how 'waiting' was the crucible that forged a revolutionary.

A Cloak of Good Fortune traces one Cambodian child's coming of age from the idyllic, peaceful years of childhood in rural Cambodia through his family's forced exile. by the Khmer Rouge. Sieu. Sean Do was born in 1963 and grew up in Kampong Speu, a rural town about fifty kilometers outside Phnom Penh. The midwife declared Sieu Sean a rare family blessing because he was born inside the amniotic sac, and. in Khmer folklore, the sac is believed to be a "cloak of good fortune" that brings good luck. No one knew then how much luck the family would ultimately need.

"Life is an investment exercise and you are your own best investment adviser."Jake van der Kamp has worked as an Asian investment analyst and as a financial columnist. In this book he offers a "how to" manual on investment. He argues that you are already your own best adviser on when and what investments to make - and you should rely on professionals only for advice on how and where to do so.

“I have not lately read a finer book than this—on any subject at all. . . . A masterpiece.” —Simon Winchester, New Statesman The photographs of three young men had stood in his grandmother’s house for as long as he could remember, beheld but never fully noticed. They had all fought in the Second World War, a fact that surprised him. Indians had never figured in his idea of the war, nor the war in his idea of India. One of them, Bobby, even looked a bit like him, but Raghu Karnad had not noticed until he was the same age as they were in their photo frames. Then he learned about the Parsi boy from the sleepy south Indian coast, so eager to follow his brothers-in-law into the colonial forces and onto the front line. Manek, dashing and confident, was a pilot with India’s fledgling air force; gentle Ganny became an army doctor in the arid North-West Frontier. Bobby’s pursuit would carry him as far as the deserts of Iraq and the green hell of the Burma battlefront. The years 1939–45 might be the most revered, deplored, and replayed in modern history. Yet India’s extraordinary role has been concealed, from itself and from the world. In riveting prose, Karnad retrieves the story of a single family—a story of love, rebellion, loyalty, and uncertainty—and with it, the greater revelation that is India’s Second World War. Farthest Field narrates the lost epic of India’s war, in which the largest volunteer army in history fought for the British Empire, even as its countrymen fought to be free of it. It carries us from Madras to Peshawar, Egypt to Burma—unfolding the saga of a young family amazed by their swiftly changing world and swept up in its violence.