Some may call it "The Chronicles of an Octopus". Others may call it "A Series of Octopus Events". For copyright reasons I'm calling this ... "The Dentist and the Octopus Collection."

Ahoy there!!! Fancy going on a joyess journey on a makeshift boat? Travelling wavy seas with a dentist and an octopus, but in the comfort of your own dry home, sat in your favourite chair with a mug of warm tea and half a packet of custard creams? Well do not fear "The Dentist and the Octopus", the new novel by Michael Coupland may just be what the doctor or more appropriately, the dentist ordered.

Winner of the Pulitzer Prize in 1943, Upton Sinclair was a prolific American novelist and polemicist for socialism, health, temperance, free speech and worker rights. His classic muckraking novel ‘The Jungle’ is regarded as a landmark naturalistic proletarian work, praised by Jack London as “the ‘Uncle Tom’s Cabin’ of wage slavery.” This comprehensive eBook presents Sinclair’s collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Sinclair’s life and works * Concise introductions to the major novels * 28 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes a selection of Sinclair’s plays and non-fiction * Features two autobiographies – discover Sinclair’s intriguing life * Ordering of texts into chronological order and genres CONTENTS: The Novels A Prisoner of Morro (1898) Springtime and Harvest (1901) The Journal of Arthur Stirling (1903) On Guard (1903) The West Point Rivals (1903) A West Point Treasure (1903) A Cadet’s Honor (1903) The Cruise of the Training Ship (1903) Manassas (1904) A Captain of Industry (1906) The Jungle (1906) The Overman (1907) The Metropolis (1908) The Moneychangers (1908) Samuel the Seeker (1910) Love’s Pilgrimage (1911) Damaged Goods (1913) Sylvia (1913) Sylvia’s Marriage (1914) King Coal (1917) Jimmie Higgins (1919) 100%: The Story of a Patriot (1920) They Call Me Carpenter (1922) The Millennium (1924) The Spokesman’s Secretary (1926) Oil! (1927) Boston (1928) Affectionately Eve (1961) The Plays Plays of Protest (1912) The Pot Boiler (1913) The Non-Fiction The Industrial Republic (1907) Good Health and How We Won It (1909) The Fasting Cure (1911) The Profits of Religion (1917) The Brass Check (1919) The Goose-Step (1923) The Goslings (1924) Mammonart (1925) Letters to Judd, an American Workingman (1925) Mental Radio (1930) The Book of Love (1934) The Autobiography The Autobiography of Upton Sinclair (1962)

Winner of the C. Hugh Holman Award A central figure in twentieth-century American literature, Robert Penn Warren (1905–1989) was appointed by the Library of Congress as the first Poet Laureate of the United States in 1985. Although better known for his fiction, especially his novel All the King’s Men, it is mainly his poetry—spanning sixty years, fifteen volumes of verse, and a wide range of styles—that reveals Warren to be one of America’s foremost men of letters. In this indispensable volume, John Burt, Warren’s literary executor, has assembled every poem Warren ever published (with the exception of Brother to Dragons), including the many poems he published in The Fugitive and other magazines, as well as those that appeared in his small press works and broadsides. Burt has also exhaustively collated all of the published versions of Warren’s poems—which, in some cases, appeared as many as six different times with substantive revisions in every line—as well as his typescripts and proofs. And since Warren never seemed to reread any of his books without a pencil in his hand, Burt has referred to Warren’s personal library copies. This comprehensive edition also contains textual notes, lists of emendations, and explanatory notes. Warren was born and raised in Guthrie, Kentucky, where southern agrarian values and a predilection for storytelling were ingrained in him as a young boy. By 1925, when he graduated from Vanderbilt University, he was already the most promising of that exceptional set of poets and intellectuals known as the Fugitives. Warren devoted most of the 1940s and 1950s to writing prose and literary criticism, but from the late 1950s he composed primarily poetry, with each successive volume of verse that he penned demonstrating his rigorous and growing commitment to that genre. The mature visionary power and technical virtuosity of his work in the 1970s and early 1980s emanated from his strongly held belief that “only insofar as the work [of art] establishes and expresses a self can it engage us.” Many of Warren’s later poems, which he deemed “some of my best,” rejoice in the possibilities of old age and the poet’s ability for “continually expanding in a vital process of definition, affirmation, revision, and growth, a process that is the image, we may say, of the life process.”