Join William Morris on a journey through medieval legend in this beautiful edition of his classic work, The Defence of Guenevere. Complete with stunning illustrations by JM King, this book is a must-have for fans of Arthurian mythology and Morris's iconic prose. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Combines essays, bibliographical descriptions, and 295 illustrations to chronicle a golden era in the art of the illustrated book. Artists range from Blake, Turner, Rowlandson, and Morris to Caldecott, Greenaway, Beardsley, and Rackham.

The history of book illustration is the story of a mechanical process releasing a great flowering of talent, a revolution in which photomechancial methods of reproduction provided a medium for a new scholl of illustrators. This book examines the methods and looks at the illustrators as well as their books describing their markets, training, tehcniques, remuneration and professional and social lives. It includes a chronologically arranged checklist of the illustrated books of over seventy artists, ranging from Aubrey Beardsley, Edmund Dulac, Arthur Rackham, Howard Pyle to the little known John Batten, Vernon Hill, Reginald Birch and Willy Pogány. It also includes contributions made to the genre by female artists as Mabel Lucie Attwell, Gwynedd Hudson, Margaret Tarrant, Millicent Sowerby, Mary Wheelhouse and many others.