Treating the work of Sappho, Goethe, Blake, Hölderlin, Verlaine, George, Mörike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the irresolvable conflict between a poem's guise as quasi-architectural stasis and quasi-musical kinesis.

A magisterial exploration of poetry’s place in the fine arts by one of the twentieth century's leading poets In this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature’s links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare’s The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality.

The Uncommon Speech of Paradise allows poets themselves to speak through their poems about the art they practice.

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.

"Wear poetry as both perfume and armor." In Turning to Wallpaper, lush, elegant language contrasts with the disturbing and at times gruesome imagery to create a collection that knows exactly how to haunt the reader. Wong’s words and artistry are vibrant with color, richly textured, defiant, and unapologetic in their boldness. Her speaker undertakes a spiritual journey of remembrance that transcends body, tradition, and even nation in the pursuit of authentic art—art that is constructed using radical acceptance of the past as a means to leave it all behind. This is a story where no wounds are softened or left unconfronted. Unconcerned with conventional beauty, it is undeniably beautiful.

Treating the work of Sappho, Goethe, Blake, Hölderlin, Verlaine, George, Mörike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the irresolvable conflict between a poem's guise as quasi-architectural stasis and quasi-musical kinesis.

Harry Leith-Ross (1886-1973) was an influential teacher and author as well as one of the most decorated and prolific Pennsylvania Impressionist artists. For more than 30 years he regularly exhibited his watercolors, drawings, and oil paintings at the Art Institute of Chicago, the Corcoran Gallery, the National Academy of Design, and the Pennsylvania Academy of the Fine Arts. This beautifully illustrated book chronicles Harry Leith-Ross' life from his birth on the island of Mauritius, to his childhood growing up in his grandparents' castle in Scotland, to his early years traveling in America, and his final residence in Bucks County.--Publisher.