Octavia E. Butler meets Marvel’s Black Panther in The Deep, a story rich with Afrofuturism, folklore, and the power of memory, inspired by the Hugo Award–nominated song “The Deep” from Daveed Diggs’s rap group Clipping. Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago. Yetu will learn more than she ever expected about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are. The Deep is “a tour de force reorientation of the storytelling gaze…a superb, multilayered work,” (Publishers Weekly, starred review) and a vividly original and uniquely affecting story inspired by a song produced by the rap group Clipping.

In this sequel to Earth Space Moon Base, Monkey, Robot, and Deep-Sea Diver embark on a dangerous underwater quest! The jellyfish and spider crabs they encounter are the least of their worries as they search the depths for missing starfish in their bathysphere, the Guppy. Ben Joel Price’s cheeky rhymes and limited yet striking palette evoke an enchanting world that will give young readers the explorer’s bug!

On the very day that Jacky Faber is to wed her true love, she is kidnapped by British Naval Intelligence and forced to embark on yet another daring mission—this time to search for sunken Spanish gold. But when Jacky is involved, things don't always go as planned. Jacky has survived battles on the high seas, the stifling propriety of a Boston finishing school, and even confinement in a dank French prison. But no adventure has quite matched her opportunistic street-urchin desires—until now.

The Second Western Novel MEGAPACKTM presents four more great tales of the Old West, by four different writers. Included in this volume are: TWO-GUN OUTLAW, by Burt Arthur ... Dave Moore rode into town for a drink and a rest...and stayed to fight for his life! TO HELL -- AND TEXAS!, by Giles A. Lutz ... Westward, the wagons thundered. Out there lay Texas -- an empire for a man with guts enough to wrest it from bandits, murderers, and hostile tribes...a man like O'Shaughnessy! ARIZONA RANGER, by A. Scott Leslie ... Lawless terror gripped Southwest Arizona! Bandits pillaged and plundered. Gambling dens and brothels flourished openly. Men drank and died from the devil's brew of blood and whiskey, gunsmoke and gold. Into this bullet-spattered hell Rance Hatfield brought the law of the Rangers... IT HAPPENED IN A TOWN NAMED LAWLESS, by Matt Rand ... It was a town where they asked no questions. The marshal was dead, and they needed a man handy with his six-guns. They swore the stranger in, and then they realized what he was. The worst kind of marshal any town can have: a killer with a badge! If you enjoy this volume of classic westerns, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 200+ other entries in this series, covering classic and historical fiction, science fiction, fantasy, horror, mysteries -- and much, much more!

Introduces young readers to the world of science fiction.

Have you ever wondered what makes storytelling and digital media a powerful combination? This edited volume examines the opportunities to think, do, and/or create jointly afforded by digital storytelling. The editors of this volume contend that digital storytelling and digital media can create spaces of empowerment and transformation by facilitating multiple kinds of border crossings and convergences involving groups of peoples, places, knowledge, methodologies, and teaching pedagogies. The book is unique in its inclusion of anthropologists and education practitioners and its emphasis on multiple subfields in anthropology. The contributors discuss digital storytelling in the context of educational programs, teaching anthropology, and ethnographic research involving a variety of populations and subjects that will appeal to researchers and practitioners engaged with qualitative methods and pedagogies that rely on media technology.

Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980. It was founded by an Italian company, World Editions, which was looking to break into the American market. World Editions hired as editor H. L. Gold, who rapidly made Galaxy the leading science fiction (sf) magazine of its time, focusing on stories about social issues rather than technology. Gold published many notable stories during his tenure, including Ray Bradbury's "The Fireman", later expanded as Fahrenheit 451; Robert A. Heinlein's The Puppet Masters; and Alfred Bester's The Demolished Man. In 1952, the magazine was acquired by Robert Guinn, its printer. By the late 1950s, Frederik Pohl was helping Gold with most aspects of the magazine's production. When Gold's health worsened, Pohl took over as editor, starting officially at the end of 1961, though he had been doing the majority of the production work for some time. Under Pohl Galaxy had continued success, regularly publishing fiction by writers such as Cordwainer Smith, Jack Vance, Harlan Ellison, and Robert Silverberg. However, Pohl never won the annual Hugo Award for his stewardship of Galaxy, winning three Hugos instead for its sister magazine, If. In 1969 Guinn sold Galaxy to Universal Publishing and Distribution Corporation (UPD) and Pohl resigned, to be replaced by Ejler Jakobsson. Under Jakobsson the magazine declined in quality. It recovered under James Baen, who took over in mid-1974, but when he left at the end of 1977 the deterioration resumed, and there were financial problems—writers were not paid on time and the schedule became erratic. By the end of the 1970s the gaps between issues were lengthening, and the title was finally sold to Galileo publisher Vincent McCaffrey, who brought out only a single issue in 1980. A brief revival as a semi-professional magazine followed in 1994, edited by H. L. Gold's son, E. J. Gold; this lasted for eight bimonthly issues. At its peak, Galaxy greatly influenced the science fiction field. It was regarded as one of the leading sf magazines almost from the start, and its influence did not wane until Pohl's departure in 1969. Gold brought a "sophisticated intellectual subtlety" to magazine science fiction according to Pohl, who added that "after Galaxy it was impossible to go on being naive." SF historian David Kyle agrees, commenting that "of all the editors in and out of the post-war scene, the most influential beyond any doubt was H. L. Gold". Kyle suggests that the new direction Gold set "inevitably" led to the experimental New Wave, the defining science fiction literary movement of the 1960s.