'Lachman's goal to write a book 'on writers who had killed themselves or had tried to, or had written about suicide at some length or depth' would be immense. To qualify, the author requires the suicide to be in some way 'interesting'. Thus we have the philosopher Philipp Mainlander, who killed himself because of the second law of thermodynamics; Zeno, who purportedly hanged himself after stubbing his toe on a turtle; and Yukio Mishima's sensational and bloody hara-kiri performance Suicides are arranged by type: Existential suicides brought on by metaphysical issues, emotionally rich Romantic suicides; political suicides; manic-depressive mortal coil shuffling a la Sylvia Plath; and the bizarre and often nonchalant suicides of many Surrealists. Lachman focuses on little known or forgotten characters such as Polish avant garde figure Witkacy; Thomas Chatterton, 'the original tragic Romantic genius'; narcissistic publisher Harry Crosby; and the tormented Austrian poet Georg Trakl. The second part of Dead Letters is a selection of writings about suicide whose real value lies in Lachman's research and his knack of smoothly relating obscure biographical tidbits and philosophical ideas. This work on a grim subject never becomes overly morbid and Lachman remains respectful of his troubled subjects. Suicide is not recommended, but this volume surely is. Splendid summary of self destruction.' Mike Pursley in Fortean Times

Writers have been killing themselves for centuries. From Petronius in ancient Rome to the 20th Century Japanese novelist Yukio Mishima, writers, more than any other kind of artist, have taken their own lives in an extraordinary number of ways. With bullets, poison, drugs and swords, poets, playwrights, novelists and philosophers have sent themselves off into the big sleep. Others, one step shy of that last exit, have made great literature about the urge to self-destruction. For the first time, Gary Lachman investigates the many links between self-death and the written word, bringing together an unusual gallery of literary greats and a host of other fatal characters. Typically for Dedalus, the covers gorgeous. Sasha Selavie in QX International Dead Letters ultimately proves to be at once stimulating and thought-provoking and the section devoted to various suicidal writings is most diverting. Peter Burton in One80 Reviews

It is the 60s – yes it is magic, sex, drugs and rock and roll. In The Dedalus Book of the 1960s: Turn Off Your Mind, Gary Lachman uncovers the Love Generation's roots in occultism and explores the dark side of the Age of Aquarius. His provocative revision of the 1960s counterculture links Flower Power to mystical fascism, and follows the magical current that enveloped luminaries like the Beatles, Timothy Leary and the Rolling Stones, and darker stars like Charles Manson, Anton LaVey, and the Process Church of the Final Judgment. Acclaimed by satanists and fundamentalist Christians alike, this edition includes a revised text incorporating new material on the 'suicide cult' surrounding Carlos Castaneda; the hippy serial killer Charles Sobhraj; the strange case of Ira Einhorn, 'the Unicorn'; the CIA and ESP; the new millennialism and more. From H.P. Lovecraft to the Hell’s Angels, find out how the Morning of the Magicians became the Night of the Living Dead.

This volume is the continuation of the book Suicide in Modern Literature, edited by Josefa Ros Velasco. Considering the positive reception of this book, Ros Velasco launches the second part, entitled The Contemporary Writer and their Suicide. This time, leading representatives of various disciplines analyze the literary, philosophical, and biographical works of contemporary writers worldwide who attempted to commit suicide or achieved their goal, looking for covert and overt clues about their intentions in their writings. This book aims to continue shedding light on the social and structural causes that lead to suicide and on the suicidal mind, but also to show that people assiduous to writing usually reflect their intentions to commit suicide in their writings, to explain how these frequently veiled intentions can be revealed and interpreted, and to highlight the potential of artistic, philosophical, and autobiographical writing as a tool to detect suicidal ideation and prevent its consummation in vulnerable people. This book analyzes several case studies and their allusions to their contexts and the socio-structural and environmental violence and pressures they suffered, expressions of their will and agency, feelings of dislocation between the individual, reality, and existential alienation, and literary styles, writing techniques, and metaphorical language.

A history of how mystical and spiritual influences have shaped Russia’s identity and politics and what it means for the future of world civilization • Examines Russia’s spiritual history, from its pagan origins and Eastern Orthodox mysticism to secret societies, Rasputin, Roerich, Blavatsky, and Dostoyevsky • Explains the visionary writings of the spiritual philosophers of Russia’s Silver Age, which greatly influence Putin today • Explores what Russia’s unique identity and its history of messianic politics and apocalyptic thought mean for its future on the world stage At the turn of the 20th century, a period known as the Silver Age, Russia was undergoing a powerful spiritual and cultural rebirth. It was a time of magic and mysticism that saw a vital resurgence of interest in the occult and a creative intensity not seen in the West since the Renaissance. This was the time of the God-Seekers, pilgrims of the soul and explorers of the spirit who sought the salvation of the world through art and ideas. These sages and their visions of Holy Russia are returning to prominence now through Russian president Vladimir Putin, who, inspired by their ideas, envisions a new “Eurasian” civilization with Russia as its leader. Exploring Russia’s long history of mysticism and apocalyptic thought, Gary Lachman examines Russia’s unique position between East and West and its potential role in the future of the world. Lachman discusses Russia’s original Slavic paganism and its eager adoption of mystical and apocalyptic Eastern Orthodox Christianity. He explores the Silver Age and its “occult revival” with a look at Rasputin’s prophecies, Blavatsky’s Theosophy, Roerich’s “Red Shambhala,” and the philosophies of Berdyaev and Solovyov. He looks at Russian Rosicrucianism, the Illuminati Scare, Russian Freemasonry, and the rise of other secret societies in Russia. He explores the Russian character as that of the “holy fool,” as seen in the great Russian literature of the 19th century, especially Dostoyevsky. He also examines the psychic research performed by the Russian government throughout the 20th century and the influence of Evola and the esoteric right on the spiritual and political milieus in Russia. Through in-depth exploration of the philosophies that inspire Putin’s political regime and a look at Russia’s unique cultural identity, Lachman ponders what they will mean for the future of Russia and the world. What drives the Russian soul to pursue the apocalypse? Will these philosophers lead Russia to dominate the world, or will they lead it into a new cultural epoch centered on spiritual power and mystical wisdom?

Drawing on esoteric, spritual and philosophical thought, this book cononsiders the all-important question -- why are we here? -- and offers a counter-argument to the current nihilsm prevalent in our world.