"Ayatsuji's brilliant and richly atmospheric puzzle will appeal to fans of golden age whodunits... Every word counts, leading up to a jaw-dropping but logical reveal" — Publishers Weekly A hugely enjoyable, page-turning murder mystery sure to appeal to fans of Elly Griffiths, Anthony Horowitz, and Agatha Christie, with one of the best and most-satisfying conclusions you'll ever read. A classic in Japan, available in English for the first time. From The New York Times Book Review: "Read Yukito Ayatsuji’s landmark mystery, The Decagon House Murders, and discover a real depth of feeling beneath the fiendish foul play. Taking its cues from Agatha Christie’s locked-room classic And Then There Were None, the setup is this: The members of a university detective-fiction club, each nicknamed for a favorite crime writer (Poe, Carr, Orczy, Van Queen, Leroux and — yes — Christie), spend a week on remote Tsunojima Island, attracted to the place, and its eerie 10-sided house, because of a spate of murders that transpired the year before. That collective curiosity will, of course, be their undoing. As the students approach Tsunojima in a hired fishing boat, 'the sunlight shining down turned the rippling waves to silver. The island lay ahead of them, wrapped in a misty veil of dust,' its sheer, dark cliffs rising straight out of the sea, accessible by one small inlet. There is no electricity on the island, and no telephones, either. A fresh round of violent deaths begins, and Ayatsuji’s skillful, furious pacing propels the narrative. As the students are picked off one by one, he weaves in the story of the mainland investigation of the earlier murders. This is a homage to Golden Age detective fiction, but it’s also unabashed entertainment."

The manga based off the best-selling The Decagon House Murders novel by Yukito Ayatsuji! The members of a particular university's Mystery Club travel to a ten-sided house on a remote island...which just happens to have been the scene of a gristly, and unsolved, mass murder. Armed with details of the murder and keys to the property, they set out to dig deeper...but can they trust the "facts" of the case? And moreover...can they trust each other? After arriving on the island, the Mystery Club discover mysterious tablets with things like "Detective" and "Murderer" written on them. They initially see it as a tasteless prank, but later that night, the tablet reading "First Victim" ends up on somebody's door, and the group is forced into solving a real mystery... Meanwhile, on the mainland, Kawaminami and Shimada are getting closer to the secret of the island after receiving letters from Seiji Nakamura, who's supposed to be dead...!!

Summary of the first book: In the spring of 1998, Kouichi Sakakibara transfers to Yomiyama North Middle School. In class, he develops a sense of unease as he notices that the people around him act like they're walking on eggshells, and students and teachers alike seem frightened. As a chain of horrific deaths begin to unfold around him, he comes to discover that he has been placed in the cursed Class 3 in which the student body head count is always one more than expected. Class 3 is haunted by a vengeful spirit responsible for gruesome deaths in an effort to satisfy its spite. To stop the vicious cycle gripping his new school, Kouichi decides to get to the bottom of the curse, but is he prepared for the horror that lies ahead...?

NATIONAL BESTSELLER An achingly beautiful story of female friendship, betrayal, and a mysterious disappearance set in the changing landscape of San Francisco Teenage Eulabee and her magnetic best friend, Maria Fabiola, own the streets of Sea Cliff, their foggy oceanside San Francisco neighborhood. They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths. Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

Summer, 1998. Mei Misaki, age fifteen, has gone with her family to their seaside vacation home. There she meets the ghost of Teruya Sakaki, her classmate from Yomiyama North Middle School Class 3-3 who, like Mei, witnessed the mysterious events that had transpired at the school. There begins an adventure of memory and mystery as they search for the ghost's body and his memories alike.

One of The Guardian’s “Top 10 Locked Room Mysteries” An amateur detective races to solve a decades-old murder mystery in this “bloody and bizarre” Japanese crime novel with a twist hailed as “one of the most original” (Daily Mail). Astrologer, fortune teller, and self-styled detective Kiyoshi Mitarai must solve a macabre murder mystery that has baffled Japan for 40 years—in just one week. With the help of his freelance illustrator friend, Kiyoshi sets out to answer the questions that have haunted the country ever since: Who murdered the artist Umezawa, raped and killed his daughter, and then chopped up the bodies of six others to create Azoth, ‘the perfect woman’? With maps, charts, and other illustrations, this story of magic and illusion—pieced together like a great stage tragedy—challenges the reader to unravel the mystery before the final curtain falls. This quintessential Japanese “logic mystery”—eerie, gory, and intriguing—combines the puzzle-solving of Golden Age Western detective fiction with elements of shocking horror and dark humor.

A San Francisco Chronicle and Southwest Review Best Book of the Year and A World Literature Today Notable Translation of the Year “A dreamscape of a book. I adored this compelling, wise, and utterly unique coming-of-age tale.” —Tara Conklin For seven-year-old M, the world is guided by a firm set of principles, based on her father D’s life as a traveling salesman. Enchanted by her father’s trade, M convinces him to take her along on his routes, selling hardware supplies against the backdrop of Pinochet-era Chile. As father and daughter trek from town to town in their old Renault, M’s memories and thoughts become tied to a language of rural commerce, philosophy, the cosmos, hardware products, and ghosts. M, in her innocence, barely notices the rising tensions and precarious nature of their work until she and her father connect with an enigmatic photographer, E, whose presence threatens to upend the unusual life they’ve created. María José Ferrada expertly captures a vanishing way of life and a father-daughter relationship on the brink of irreversible change. At once nostalgic, dangerous, sharply funny, and full of delight and wonder, How to Order the Universe is a richly imaginative debut and a rare work of magic and originality.