Originally published in 1969, The Death of the Novel and Other Stories remains among the most memorable creations of an unforgettable age. Irrepressibly experimental in both content and form, these anti-fictions set out to rescue experience from its containment within artistic convention and bourgeois morality. Equal parts high modernist aesthete and borscht belt comedian, Sukenick joins avant-garde art with street slang and cartoons, expressing his generation's anxieties by simultaneously mocking and validating them. These are original works by a writer who will try absolutely anything.

An unhappy soldier guards the barracks gate in Brisbane and wishes for freedom ... a recovering addict in Fremantle learns about life, death and friendship while trying to get his life together in NA ... an Adelaide man's recently deceased uncle teaches him about the meaning of life ... and a girl vanishes somewhere near Alice Springs, never to be seen again. These are just some of the characters in Lewis Woolston's new story collection 'Remembering the Dead and Other Stories'. In these snapshots from the fringes of Australian society, the past is never entirely done, the dead are not forgotten, and life takes turns both funny and tragic.

That James Joyce’s “The Dead” forms an extraordinary conclusion to his collection Dubliners, there can be no doubt. But as many have pointed out, “The Dead” may equally well be read as a novella—arguably, one of the finest novellas ever written. “The Dead,” a “story of public life,” as Joyce categorized it, was written more than a year after Joyce had finished the other stories in the collection, and was meant to redress what he felt was their “unnecessary harsh[ness].” Set on the feast of the epiphany, it is a haunting tale of connection and of alienation, reflecting, in the words of Stanislaus Joyce (James’s brother and confidant), “the nostalgic love of a rejected exile.” The present volume highlights “The Dead” for readers who wish to focus on that great work in a concise volume—and for university courses in which it is not possible to cover all of Dubliners. But it also gives a strong sense of how that story is part of a larger whole. Stories from each of the other sections of Dubliners have been included, and a wide range of background materials is included as well, providing a vivid sense of the literary and historical context out of which the work emerged.

This volumes includes eight stories by Thomas Mann: Death in Venice Tonio Kröger Mario and the Magician Disorder and Early Sorrow A Man and his Dog The Blood of the Walsungs Tristan Felix Krull

Gustav von Aschenbach is a successful but ageing writer who travels to Venice for a holiday. One day, at dinner, Aschenbach notices an exceptionally beautiful young boy who is staying with his family in the same hotel. Soon his days begin to revolve around seeing this boy and he is too distracted to pay attention to the ominous rumours that have begun to circulate about disease spreading through the city.

Fiction. A.W. DeAnnuntis writes with verve, deep learning, and comedic panache, creating improbable worlds that manage, somehow, to make sense.