THE STORY: The play begins by introducing the next generation of Robedauxs in the person of Horace's son, Horace Jr., who comes home from school to find that his maternal grandfather, Henry Vaughn, has died suddenly of a heart attack. From this poi

A young girl's simplistically touching poetic musing on the death of her grandfather, who she affectionately calls "Papa."

Explains what death is, what happens at a funeral, and how a funeral service is a way of saying goodbye to a dead person.

The assassination of Abraham Lincoln is a central drama of the American experience. Its impact is felt to this day, and the basic story is known to all. Anthony Pitch's thrilling account of the Lincoln conspiracy and its aftermath transcends the mere facts of that awful night during which dashing actor John Wilkes Booth shot Lincoln in the head and would-be assassin Lewis Payne butchered Secretary of State William Seward in the bed of his own home. "They Have Killed Papa Dead!" transports the reader to one of the most breathtaking moments in history, and reveals much about the stories, passions, and times of those who shaped this great tragedy. Virtually every word of Anthony Pitch's account is based on primary source material: quotes from previously unpublished documents, diaries, letters, and journals. With an unwavering fidelity to historical accuracy, Pitch provides confirmation of threats against the president-elect's life as he traveled to Washington by train for his first inauguration, and a vivid personal account of John Wilkes Booth being physically restrained from approaching Lincoln at his second inauguration. Perhaps most chillingly, details come to light about conditions in the special prison where the civilian conspirators accused of participating in the Lincoln assassination endured tortuous conditions in extreme isolation and deprivation, hooded and shackled, before and even during their military trial. Pitch masterfully synthesizes the findings of his prodigious research into a tight, gripping narrative that adds important insights to our national story.

A man mourning his alcoholic father faces a paradox: to pay tribute, lay scorn upon, or pour a drink. A wrenching, dazzling, revelatory debut Weaving between the preparations for his father's funeral and memories of life on both sides of the U.S.–Mexico border, Obed Silva chronicles his father's lifelong battle with alcoholism and the havoc it wreaked on his family. Silva and his mother had come north across the border to escape his father’s violent, drunken rages. His father had followed and danced dangerously in and out of the family’s life until he was arrested and deported back to Mexico, where he drank himself to death, one Carta Blanca at a time, at the age of forty-eight. Told with a wry cynicism, a profane, profound anger, an antic, brutally honest voice, and a hard-won classical frame of reference, Silva channels the heartbreak of mourning while wrestling with the resentment and frustration caused by addiction. The Death of My Father the Pope is a fluid and dynamic combination of memoir and an examination of the power of language—and the introduction of a unique and powerful literary voice.

"A family is a remarkable thing, isn't it? You belong. And then you don't. It passes you by. Unless you start a family of your own." The last two plays of Horton Foote's Orphans' Home Cycle both expand and contract the circle of a family that unifies all nine of the plays. In Cousins, an operation on Horace Robedaux's mother reunites, in person and in memory, the many Robedaux relatives (one of whom speaks the lines quoted above), and in the almost comic proliferation of cousins that results, the orphaned Horace is joined across time and space to a family that seems never to end. The Death of Papa returns the cycle to its origins, with the death of Horace's father-in-law. Far from ending the story, however, Papa's death regenerates the complexity of families and their survival, as his son bravely but foolishly tries to assume control of the land that supports his family's life.

From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon.