The Death of Content as King is a methodically researched guide that helps you embrace data, not as the new king, but as the voice and vote.

A revealing and dramatic chronicle of the twelve months leading up to Dr. Martin Luther King, Jr.'s assassination. Martin Luther King, Jr. died in one of the most shocking assassinations the world has known, but little is remembered about the life he led in his final year. New York Times bestselling author and award-winning broadcaster Tavis Smiley recounts the final 365 days of King's life, revealing the minister's trials and tribulations -- denunciations by the press, rejection from the president, dismissal by the country's black middle class and militants, assaults on his character, ideology, and political tactics, to name a few -- all of which he had to rise above in order to lead and address the racism, poverty, and militarism that threatened to destroy our democracy. Smiley's Death of a King paints a portrait of a leader and visionary in a narrative different from all that have come before. Here is an exceptional glimpse into King's life -- one that adds both nuance and gravitas to his legacy as an American hero.

The accused: Thirteen-year-old Derek King and his twelve-year-old brother, Alex, Sunday school students with choirboy looks. The victim: Their own father. After midnight on November 26, 2001, someone bludgeoned Terry King to death while he slept, and set his Florida home afire. By the time the firefighters extinguished the blaze, King’s sons, Alex, twelve, and Derek, thirteen, were at the home of their forty-year-old friend, Ricky Chavis, a convicted child-molester. By the next afternoon, following confessions, both boys were charged as adults in their father’s slaying. Chavis was tried separately for the same crime—incredibly by the same attorney who would prosecute Alex and Derek, and argue two contradictory theories. When Alex divulged his sexual relationship with Chavis, the trial took a sensational turn. So did Alex and Derek, who recanted their confession and blamed Chavis to no avail. A jury convicted the boys of second-degree murder, but the judge threw the verdict out. Chavis was acquitted. But the case wasn’t over. As more disturbing revelations came to light, as criminal motives became more complex, and as the line between guilt and innocence was crossed, a stunned nation watched in disbelief to learn the ultimate fate of the . . . Angels of Death.

And it is, it is a glorious thing to be a Pirate King! When murder makes an appearance at a dinner party, who should be called in but Adrien’s former lover, handsome closeted detective Jake Riordan, now a Lieutenant with LAPD—which may just drive Adrien’s new boyfriend, sexy UCLA professor Guy Snowden, to commit a murder of his own.

Margaret King shows what the death of a little boy named Valerio Marcello over five hundred years ago can tell us about his time. This child, scion of a family of power and privilege at Venice's time of greatness, left his father in a state of despair so profound and so public that it occasioned an outpouring of consoling letters, orations, treatises, and poems. In these documents, we find a firsthand account, richly colored by humanist conventions and expectations, of the life of the fifteenth-century boy, the passionate devotion of his father, the feelings of his brothers and sisters, the striking absence of his mother. The father's story is here as well: the career of a Venetian nobleman and scholar, patron and soldier, a participant in Venice's struggle for dominion in the north of Italy. Through these sources also King traces the cultural trends that made Marcello's century famous. Her work enlarges our view of the literature of consolation, which had a distinctive tradition in Venice, and shifting attitudes toward death from the late Middle Ages onward. For the depth and acuity of its insights into political, cultural, and private life in fifteenth-century Venice, this book will be essential reading for students of the Renaissance. For the grace and drama of its storytelling, it will be savored by anyone who wishes to look into life and death in a palace, and a city, long ago.

A vivid portrait of how Americans grappled with King's death and legacy in the days, weeks, and months after his assassination On April 4, 1968, Martin Luther King Jr. was fatally shot as he stood on the balcony of the Lorraine Motel in Memphis. At the time of his murder, King was a polarizing figure -- scorned by many white Americans, worshipped by some African Americans and liberal whites, and deemed irrelevant by many black youth. In The Heavens Might Crack, historian Jason Sokol traces the diverse responses, both in America and throughout the world, to King's death. Whether celebrating or mourning, most agreed that the final flicker of hope for a multiracial America had been extinguished. A deeply moving account of a country coming to terms with an act of shocking violence, The Heavens Might Crack is essential reading for anyone seeking to understand America's fraught racial past and present.

The sixth installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series. As the ninth century wanes, Alfred the Great lies dying, his lifelong goal of a unified England in peril, his kingdom on the brink of chaos. Though his son, Edward, has been named his successor, there are other Saxon claimants to the throne—as well as ambitious pagan Vikings to the north. Torn between his vows to Alfred and the desire to reclaim his long-lost ancestral lands in the north, Uhtred, Saxon-born and Viking-raised, remains the king’s warrior but has sworn no oath to the crown prince. Now he must make a momentous decision that will forever transform his life and the course of history: to take up arms—and Alfred’s mantle—or lay down his sword and let his liege’s dream of a unified kingdom die along with him.