"In the early Roman empire, Christians were seen by pagans as overthrowers of ancient gods and destroyers of the prevailing social order. Allegations that Christians recognized each other by secret marks, met at night and made love to one another indiscriminately, worshipped the head of an ass and the genitals of their high priests, and ate children were widely believed. In examining these charges and the Christian response to them, Benko has provided a persuasively argued and refreshing, if controversial, perspective on the confrontation of the pagan and early Christian worlds."[book cover].

Rufinus' vivid account of the battle between the Eastern Emperor Theodosius and the Western usurper Eugenius by the River Frigidus in 394 represents it as the final confrontation between paganism and Christianity. It is indeed widely believed that a largely pagan aristocracy remained a powerful and active force well into the fifth century, sponsoring pagan literary circles, patronage of the classics, and propaganda for the old cults in art and literature. The main focus of much modern scholarship on the end of paganism in the West has been on its supposed stubborn resistance to Christianity. The dismantling of this romantic myth is one of the main goals of Alan Cameron's book. Actually, the book argues, Western paganism petered out much earlier and more rapidly than hitherto assumed.The subject of this book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. By re-examining the abundant textual evidence, both Christian (Ambrose, Augustine, Jerome, Paulinus, Prudentius) and "pagan" (Claudian, Macrobius, and Ammianus Marcellinus), as well as the visual evidence (ivory diptychs, illuminated manuscripts, silverware), Cameron shows that most of the activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive activity designed to rally pagans, the acceptance of classical literature, learning, and art by most elite Christians may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. The culmination of decades of research, The Last Pagans of Rome will overturn many long-held assumptions about pagan and Christian culture in the late antique West.

A New York Times Notable Book, winner of the Jerwood Award from the Royal Society of Literature, a New York Times Book Review Editors’ Choice, and named a Book of the Year by the Telegraph, Spectator, Observer, and BBC History Magazine, this bold new history of the rise of Christianity shows how its radical followers helped to annihilate Greek and Roman civilizations. The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to "one true faith." Despite the long-held notion that the early Christians were meek and mild, going to their martyrs' deaths singing hymns of love and praise, the truth, as Catherine Nixey reveals, is very different. Far from being meek and mild, they were violent, ruthless, and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth, and the light but that, by extension, every single other way was wrong and had to be destroyed. From the first century to the sixth, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial, and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces, and their priests killed. It was an annihilation. Authoritative, vividly written, and utterly compelling, this is a remarkable debut from a brilliant young historian.

A history of Julian, the grandson of Constantine, and his failed attempt to reverse the Christian tide that swept the Roman Empire • Portrays the “Apostate” as a poet-philosopher, arguing that had he survived, Christianity would have been checked in its rise • Details reforms enacted by Julian during his two-year reign that marginalized Christians, effectively limiting their role in the social and political life of the Empire • Shows how after Julian’s death the Church used paganism to represent evil and opposition to God, a tactic whose traces still linger The violent death of the emperor Julian (Flavius Claudius Julianus, AD 332-363) on a Persian battlefield has become synonymous with the death of paganism. Vilified throughout history as the “Apostate,” the young philosopher-warrior was the last and arguably the most potent threat to Christianity. The Last Pagan examines Julian’s journey from an aristocratic Christian childhood to his initiation into pagan cults and his mission to establish paganism as the dominant faith of the Roman world. Julian’s death, only two years into his reign, initiated a culture-wide suppression by the Church of all things it chose to identify as pagan. Only in recent decades, with the weakening of the Church’s influence and the resurgence of paganism, have the effects of that suppression begun to wane. Drawing upon more than 700 pages of Julian’s original writings, Adrian Murdoch shows that had Julian lived longer our history and our present-day culture would likely be very different.

An extensive look at the cartography and folklore of the afterlife worlds as seen by our ancestors • Examines how ancient European cultures viewed the beyond, including the Blessed Isles of early Greek and Celtic faith, the Hebrew Sheol, Hades from Homer’s Odyssey, Hel and Valhalla of the Norse, and the Aralu of Babylon • Shows how medieval accounts of journeys into the Other World represent the first recorded near-death experiences • Connects medieval afterlife beliefs and NDE narratives with shamanism, looking in particular at psychopomps, power animals, the double, the fetch, and what people bring back from their journeys to the spirit realms Charting the evolution of afterlife beliefs in both pagan and medieval Christian times, Claude Lecouteux offers an extensive look at the cartography and folklore of the afterlife worlds as seen by our ancestors. Exploring the locations and topographies of the various forms taken by Hell, Purgatory, and Heaven, he examines how ancient European cultures viewed the beyond, including the Blessed Isles of early Greek and Celtic faith, the Hebrew Sheol, the pale world of Hades from Homer’s Odyssey, Hel and Valhalla of the Norse, and the Aralu of Babylon, the land where nothing can be seen. The author also explores beliefs in Other Worlds, lands different from our own that are not the afterlife but places where time flows differently and which are inhabited by fantastic or supernatural beings such as fairies or dwarfs. Sharing medieval tales of journeys into the beyond, Lecouteux shows how these accounts represent the first recorded near-death experiences (NDEs) and examines how they compare with modern NDE narratives as well as the work of NDE researchers like Raymond Moody. In addition, he also explores tales of out-of-body experiences, dream journeys, and travels made by a double or fetch and connects these narratives with shamanism, looking in particular at psychopomps, power animals, and what people bring back from their journeys to the spirit realms. Analyzing the afterlife beliefs of the Middle Ages as a whole, Lecouteux concludes with a collection of medieval afterlife-related traditions, such as placing polished stones in the coffin so the departed soul can find its way back to friends and family at those times of the year when the veil between the worlds grows thin.