Timmerman details Iraq's purchases of strategic weapons--including chemical weapons--and lays the blame for their arms build-up in the laps of theWestern a llies who supplied them. This explosive report is an indictment of Western governments as much as it is an expose of Western greed at the expense of world peace.

Military Industry and Regional Defense Policy re-examines military industrialization in the developing world, focusing on policy-making in producer states and the impact of security perceptions on such policy-making.Timothy D. Hoyt reassesses the role of regional state sub-systems in international relations, and recent historical studies of international technology and arms transfers. Looking at Israel, Iraq and India, the three most powerful regional powers in the Cold War era, he presesnts an expert analysis of the three-sided phenomena of the regional hegemony, the regional competitor and the small over-achiever.This new book breaks away from existing literature on military industries in the developing world, which has focused on their economic and development costs and benefits. These past studies have used primitive methodologies that focus on the production of complete weapons systems - a misleading gauge in a world of growing international defense cooperation. They have also ignored empirical evidence of the impact of local military industrial production on Cold War regional conflict, and of the defence planning and concerns that drove development of indigenous military industries in key regional powers. This new text delivers an incisive new perspective.

Egyptian efforts to acquire long-range surface-to-surface missiles in the early 1960s carry important lessons for our time, when weapons of mass destruction and charges of politicizing intelligence are key issues. This new study traces the history of the early Egyptian ballistic missile program, which began with the successful recruitment of German scientists who had experience in Hitler’s V1 and V2 missile projects. Yet even as these Germans began their work on developing missiles for Egyptian President Gamal Abdel Nasser, Israeli intelligence was busy collecting information on their activities, sparking a crisis in the Israeli leadership as top Israeli officials anxiously debated strategies to grapple with this new threat to their national security. Ultimately, they adopted a multifaceted approach that included intimidation of the scientists and their families, appeals to the West German government to order the scientists’ recall and an attempt to involve the US government in the intricacies of the Arab-Israeli conflict. Drawing extensively on material from recently declassified US government documents, this new major work demonstrates how Nasser’s missile program played an instrumental role in cementing the US-Israeli national security relationship. The book concludes with several key lessons that can help stem the global proliferation of advanced weapons. This book will be of great interest to scholars of proliferation, international relations, the Middle East, disarmament and security studies in general.

The Israeli/Palestinian conflict is not mainly about politics, nor religion, nor even geo-politics. It is about pathology. The traumas of the 20th century have driven millions of intelligent, capable people into active psychological pathologies, which they experience as ideological realities. Some of the cult-like groups associated with Christian evangelicals and the national-religious settlers in Israel will settle for nothing less than an apocalyptic religious war to punish the world for allowing the Holocaust to happen.

Provides a comprehensive overview of the US-Iraqi relationship since 1979 and places the 2003 American invasion and subsequent occupation of Iraq in that wider historical context.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.