A spellbinding literary thriller about terror, war, greed, and the darkest secrets of the human soul, by the author of the million-copy bestseller The Interpretation of Murder. Under a clear blue September sky, America's financial center in lower Manhattan became the site of the largest, deadliest terrorist attack in the nation's history. It was September 16, 1920. Four hundred people were killed or injured. The country was appalled by the magnitude and savagery of the incomprehensible attack, which remains unsolved to this day. The bomb that devastated Wall Street in 1920 explodes in the opening pages of The Death Instinct, Jed Rubenfeld's provocative and mesmerizing new novel. War veteran Dr. Stratham Younger and his friend Captain James Littlemore of the New York Police Department are caught on Wall Street on the fateful day of the blast. With them is the beautiful Colette Rousseau, a French radiochemist whom Younger meets while fighting in the world war. A series of inexplicable attacks on Rousseau, a secret buried in her past, and a mysterious trail of evidence lead Young, Littlemore, and Rousseau on a thrilling international and psychological journey-from Paris to Prague, from the Vienna home of Dr. Sigmund Freud to the corridors of power in Washington, D.C., and ultimately to the hidden depths of our most savage instincts. As the seemingly disjointed pieces of what Younger and Littlemore learn come together, the two uncover the shocking truth behind the bombing. Blending fact and fiction in a brilliantly convincing narrative, Jed Rubenfeld has forged a gripping historical mystery about a tragedy that holds eerie parallels to our own time. Watch a video

A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.

International Bestseller #1 U.K. Bestseller The Wall Street Journal Bestseller Los Angeles Times Bestseller In the summer of 1909, Sigmund Freud arrived by steamship in New York Harbor for a short visit to America. Though he would live another thirty years, he would never return to this country. Little is known about the week he spent in Manhattan, and Freud's biographers have long speculated as to why, in his later years, he referred to Americans as "savages" and "criminals." In The Interpretation of Murder, Jed Rubenfeld weaves the facts of Freud's visit into a riveting, atmospheric story of corruption and murder set all over turn-of-the-century New York. Drawing on case histories, Shakespeare's Hamlet, and the historical details of a city on the brink of modernity, The Interpretation of Murder introduces a brilliant new storyteller, a novelist who, in the words of The New York Times, "will be no ordinary pop-cultural sensation."

The legendary autobiography of Jacques Mesrine, France's most infamous criminal France's Public Enemy Number One from the late 1960s to the end of the 1970s--when he was killed by police in a sensational traffic shootout--Jacques Mesrine (1936-1979) is the best-known criminal in French history. Mesrine was notorious both for his violent exploits and for the media attention he attracted, and he remains very much a public media figure in France and Europe. In 2008 there were two feature-length films based on his life, one of them starring Vincent Cassel in the lead role. Mesrine wrote The Death Instinct while serving time in the high-security prison La Santé; the manuscript was smuggled out of the prison and was later published by Guy Debord's publisher Gérard Lebovici (who briefly adopted Mesrine's daughter, Sabrina, before being assassinated, a few years after Mesrine). The Death Instinct deals with the early years of Mesrine's criminal life, including a horrifically graphic description of a murder he committed early on in his career and a highly detailed account of the workings of the French criminal underworld--making this book perhaps one of the most intriguing and detailed anthropological studies of a criminal culture ever written.

in Freud's view we are driven by the desire for pleasure as well as by the desire to avoid pain. But the pursuit of pleasure has never been a simple thing. Pleasure can be a form of fear, a form of memory and a way of avoiding reality. Above all, as these essays show with remarkable eloquence, pleasure is a way in which we repeat ourselves. The essays collected in this volume explore, in Freud's uniquely subtle and accessible style, the puzzles of pleasure and morality - the enigmas of human development.

With a serial killer on the loose in Phoenix, Cathy Riley experiences tremendous fear living with her aged and angry father, and Lieutenant Allan Grant counts one defeat after another as more and more people die. Reissue.

Separated by millennia, Aristotle and Sigmund Freud gave us disparate but compelling pictures of the human condition. But if, with Jonathan Lear, we scrutinize these thinkers' attempts to explain human behavior in terms of a higher principle--whether happiness or death--the pictures fall apart. Aristotle attempted to ground ethical life in human striving for happiness, yet he didn't understand what happiness is any better than we do. Happiness became an enigmatic, always unattainable, means of seducing humankind into living an ethical life. Freud fared no better when he tried to ground human striving, aggression, and destructiveness in the death drive, like Aristotle attributing purpose where none exists. Neither overarching principle can guide or govern "the remainder of life," in which our inherently disruptive unconscious moves in breaks and swerves to affect who and how we are. Lear exposes this tendency to self-disruption for what it is: an opening, an opportunity for new possibilities. His insights have profound consequences not only for analysis but for our understanding of civilization and its discontent.