Through a letter to her English teacher, 14-year-old Lizzy Mortimer of Crabapple, California, relates her discovery that she and her eccentric grandmother are kin to Morgan le Faye and have been charged with saving the last descendant of King Arthur from an untimely death that would endanger the world.

On Halloween in her fourteenth year, Lizzy Mortimer saw her first death spector. Confused at first, Lizzy soon learns from her grandmother, Bizzy, that as descendant of Morgan le Fay, it is their job to prevent fate from taking its course when an unjust death is planned-a job that has been passed down for countless generations. Now that she is old enough to be a death catcher, Lizzy must learn all she can about preventing death from claiming its victims, a job more complicated than a simple warning. Only she didn't expect a feud older than time between two of the sisters of Avalon, Morgan le Fay and Vivienne Le Mort, to culminate on her watch as they try to wipe out King Arthur's last descendant. And their next victim is Drake Westfall, a boy that Lizzy just happens to be secretly in love with. Can Lizzy outwit fate before it's too late?

The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..

What do thrill-seeking women want? A fantasy-fulfilling abduction...an exciting rescue by a scorching hot guy...with an unforgettable night of passion. So they go to www.takemetonite.com -- and then they die. Someone has to stop it. When Sage Valentine discovers that her roommate's shocking suicide might be related to a website that provides edgy, thrill-seeking entertainment, she immediately books her own "abduction" to get some answers. But her "rescuer" isn't really who she thinks he is....Johnny Christiano is dedicated to the Bullet Catchers, who saved him from a wise guy's life of crime and turned him into an elite bodyguard. When he's assigned to stop Sage's kidnapping, he's unexpectedly trapped between deceit and sizzling desire. But the closer Johnny and Sage get to the truth, the closer danger stalks them...until death is only a double-click away.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

Growing up in a house full of women, fourteen-year-old Grayling learns to deal with death, love, and the unanswered questions raised by her widowed mother's apparent abandonment.