Professor Aldwyn wakes from a nap to discover that he is actually dead. During life he was a rational man of science, but he has now entered the spirit world and is forced to account for his actions on earth. In this novella Florence Marryat presents the reader with a sometimes playful, but ultimately engaging, challenge to the wider scientific community and its skepticism of the spiritual other. This new edition, edited by Dr Greta Depledge, features an introduction, contextual notes and additional material on contemporary debates.

An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.

Spring 1945: WWII may be crashing to a close, but Jessica and Liz Minton’s hopes for the future are short-lived as they become entrapped in a noir world of intrigue and murder. Jessica’s beloved is missing in action in Europe, leaving her on her own to save herself and those she cares about from the shadows of a dark past entangling them in false identities, a cut-throat search for stolen jade, and murder. Join Jessica and Liz as they strive to restore a friend’s family honor, to save Elizabeth’s love from the deadly frame-up of a predatory socialite with underworld connections, to outsmart two dogged detectives, and to deal with an F.B.I. agent from Jessica’s past with secrets of his own - all without getting themselves killed! It’s enough to make Dusty the cat’s fur stand on end!

Stories have a way of finding storytellers...Myles dreams of hockey stardom at Saint Michael's Prep and just being a normal kid - one who doesn't twitch or suffer from anxiety. But an unexpected death during a train ride into Boston for a class field trip forces Myles to take risks he's not prepared for. Overwhelmed with the demands of school, a girl he likes, the mysterious disappearance of a dozen dogs, and the constant threat of bullies and punks that roam his neighborhood, Myles's talent for telling stories is called into action as he finds a way to tell an amazing story that must be told - one that his future depends on.

It’s All Just a Show...Right? “This is an authentic old west ghost town, son. Around these parts the dead don’t stay dead.” Nick Caden’s vacation at Deadwood Canyon Ghost Town takes a deadly turn toward trouble when the fifteen-year-old finds himself trapped in a livery stable with the infamous outlaw Jesse James. The shooter whirls, aims and... vanishes. Great theatrics, Nick thinks, except now he’s alone in the hayloft with the bullet-riddled body of Billy the Kid. And by the time the sheriff arrives, the body disappears. Soon Nick is caught in a deadly chase—from an abandoned gold mine, through forbidden buffalo hunting grounds, and across Rattlesnake Gulch. Around every turn he finds another suspect. Will Nick solve the murder? Will his parents have him committed? Or will the town's infatuation with Hollywood theatrics conceal the real truth about souls, spirits and the destiny that awaits those who die.

At the same time that Matt and Parker find the body of the dead man in the creek, they recognize George Evans, the owner of the antique shop where Parker's mother works.

In the tradition of his renowned father, James J. Butcher’s debut novel is a brilliant urban fantasy about a young man who must throw out the magical rule book to solve the murder of his former mentor. On the streets of Boston, the world is divided into the ordinary Usuals, and the paranormal Unorthodox. And in the Department of Unorthodox Affairs, the Auditors are the magical elite, government-sanctioned witches with spells at their command and all the power and prestige that comes with it. Grimshaw Griswald Grimsby is…not one of those witches. After flunking out of the Auditor training program and being dismissed as “not Department material,” Grimsby tried to resign himself to life as a mediocre witch. But he can’t help hoping he’ll somehow, someway, get another chance to prove his skill. That opportunity comes with a price when his former mentor, aka the most dangerous witch alive, is murdered down the street from where he works, and Grimsby is the Auditors’ number one suspect. Proving his innocence will require more than a little legwork, and after forming a strange alliance with the retired legend known as the Huntsman and a mysterious being from Elsewhere, Grimsby is abruptly thrown into a life of adventure, whether he wants it or not. Now all he has to do is find the real killer, avoid the Auditors on his trail, and most importantly, stay alive.