A new translation of the best and most provocative short stories by the author of Transit and The Seventh Cross. Best known for the anti-fascist novel The Seventh Cross and the existential thriller Transit, Anna Seghers was also a gifted writer of short fiction. The stories she wrote throughout her life reflect her political activism as well as her deep engagement with myth; they are also some of her most formally experimental work. This selection of Seghers’s best stories, written between 1925 and 1965, displays the range of her creativity over the years. It includes her most famous short fiction, such as the autobiographical “The Dead Girls’ Class Trip,” and others, like “Jans Is Going to Die,” that have been translated into English here for the first time. There are psychologically penetrating stories about young men corrupted by desperation and women bound by circumstance, as well as enigmatic tales of bewilderment and enchantment based on myths and legends, like “The Best Tales of Woynok, the Thief,” “The Three Trees,” and “Tales of Artemis.” In her stories, Seghers used the German language in especially unconventional and challenging ways, and Margot Bettauer Dembo’s sensitive and skilled translation preserves this distinction.

Seghers wrote Transit while living in exile, fleeing her Nazi persecutors. The novel captures the moods and motives of refugees from Hitler's Germany attempting to leave France via the seaport of Marseilles between the French capitulation in 1940 and the Spring of 1941. The story is told from the perspective of an unnamed narrator, a German engine-fitter who has escaped from a Nazi concentration camp (in fact, for the second time) and fled to Paris. Here he encounters a fellow escapee who asks him to deliver papers to a German writer called Weidel. The narrator finds Weidel already dead and assumes his identity, hoping to make use of his visa for Mexico. When he reaches Marseilles to avoid recapture he adds the papers of another deceased German, one Seidler, so from this point onwards he is juggling with three separate identities: those of Weidel, Seidler, and his own.

Unexpected Routes chronicles the refugee journeys of six writers whose lives were upended by fascism in the aftermath of the Spanish Civil War and during World War II: Cuban-born Spanish writer Silvia Mistral, German-born Spanish writer Max Aub, German writer Anna Seghers, German author Ruth Rewald, Swiss-born political activist, photographer, and ethnographer Gertrude Duby, and Czech writer and journalist Egon Erwin Kisch. While these six writers came from different backgrounds, wrote in different languages, and enjoyed very different levels of recognition in their lifetimes and posthumously, they all made sense of their forced displacement in works that reveal their conflicted relationships with the people and places they encountered in transit as well as in Mexico, the country in which they all eventually found asylum. The literary output of these six brilliant, prolific, but also flawed individuals reflects the most salient contradictions of what it meant to escape from fascist occupied Europe. In a study that bridges history, literary studies, and refugee studies, Tabea Alexa Linhard draws connections between colonialism, the Spanish Civil War, and World War II and the Holocaust to shed light on the histories and literatures of exile and migration, drawing connections to today's refugee crisis and asking larger questions around the notions of belonging, longing, and the lived experience of exile.

Hallie and her friends become stranded in a small town in the mountains where the people want them to stay forever.

A NEW YORK TIMES NOTABLE BOOK OF 2018 An Edgar Award nominee for best critical / biographical Best of 2018 according to Kirkus, The Boston Globe,The New York Times, The Portland Mercury, Bustle, Thrillist, and Electric Lit A New York Times Editor's Choice, a best of summer 2018 according to Bitch Magazine, Harpers Bazaar, The Millions, Esquire, Refinery29, Nylon, PopSugar, The Chicago Tribune, Book Riot, and CrimeReads In this poignant collection, Alice Bolin examines iconic American works from the essays of Joan Didion and James Baldwin to Twin Peaks, Britney Spears, and Serial, illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories. Smart and accessible, thoughtful and heartfelt, Bolin investigates the implications of our cultural fixations, and her own role as a consumer and creator. Bolin chronicles her life in Los Angeles, dissects the Noir, revisits her own coming of age, and analyzes stories of witches and werewolves, both appreciating and challenging the narratives we construct and absorb every day. Dead Girls begins by exploring the trope of dead women in fiction, and ends by interrogating the more complex dilemma of living women – both the persistent injustices they suffer and the oppression that white women help perpetrate. Reminiscent of the piercing insight of Rebecca Solnit and the critical skill of Hilton Als, Bolin constructs a sharp, perceptive, and revelatory dialogue on the portrayal of women in media and their roles in our culture.

Kelly could hardly wait for summer vacation. She's finally landed her dream job--she's head lifeguard at the New Arcadia Inn. At first she laughs at the idea of the pool being haunted, but a string of horrifying accidents changes her mind.