This collection of 12 short stories is set in Sarawak, Malaysia during the 1960s with the central character of Dan Collins, an engineer on loan from the American government. All stories provide sensitive portrayals of human experiences that transcend cultural differences. Some strong language and some descriptions of sex. 1988.

Named a Best Book of the Year by Time, The Washington Post, and Harper's Bazaar “A tender, spiky family saga about love in all its mysterious incarnations.” —Lorrie Moore, author of A Gate at the Stairs and Birds of America “Absolutely luminous . . . Weaves the transience of suburbia between the highs and lows of a family saga . . . Shocks, awes, and delights.” —Bryan Washington, author of Memorial From the outside, the Chengs seem like so-called model immigrants. Once Patty landed a tech job near Dallas, she and Liang grew secure enough to have a second child, and to send for their first from his grandparents back in China. Isn’t this what they sacrificed so much for? But then little Annabel begins to sleepwalk at night, putting into motion a string of misunderstandings that not only threaten to set their community against them but force to the surface the secrets that have made them fear one another. How can a man make peace with the terrors of his past? How can a child regain trust in unconditional love? How can a family stop burying its history and forge a way through it, to a more honest intimacy? Nights When Nothing Happened is gripping storytelling immersed in the crosscurrents that have reshaped the American landscape, from a prodigious new literary talent.

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.

IT'S MUCH ADO . . . ABOUT EVERYTHING. This modern-day retelling of Shakespeare's Much Ado About Nothing takes place at the idyllic Camp Dogberry, where sisters Bee and Hana Leonato have lived their whole lives. Their parents own the place, and every summer they look forward to leading little campers in crafts, swimming in the lake, playing capture the flag and Sproutball, and of course, throwing legendary counselor parties. This year, the camp drama isn't just on the improv stage. Bee and longtime counselor Ben have a will-they-or-won't-they romance that's complicated by events that happened -- or didn't happen -- last summer. Meanwhile, Hana is falling hard for the kind but insecure Claudia, putting them both in the crosshairs of resident troublemaker John, who spreads a vicious rumor that could tear them apart. As the counselors juggle their camp responsibilities with simmering drama that comes to a head at the Fourth of July sparkler party, they'll have to swallow their pride and find the courage to untangle the truth, whether it leads to heartbreak or happily ever after.

To accommodate an "extra day" in our calendar a worldwide shut down of electromagnetic activity has been called for. Which means no use of electric or battery operated appliances, no internet, no vehicular movement and there will be no record of any activity on that day as well. After the midnight of 18th June 2019, there will be an undocumented period of 24 hours post which the calendar will roll over to the 19th June and we resume life as if nothing happened. Only Veer, an astrophysicist at the helm of managing this cosmic aberration knows of one thing that will happen as a direct consequence. A portal will open into a Parallel Universe.When the fated day arrives, Veer reaches out to Samara to make her see for herself that he did not sacrifice their relationship for ambition. In his theory of the Multiverse, you don't choose one over the other. Both choices play out in different Universes. He implores her to travel with him through this portal and witness their "happily ever after." But when the portal does open, it's a Pandora's box. There is not one, but many Parallel Universes.Dev and Desiree are another couple who explore astral projection to deal with complex human relationships. The day when the Universe is paused, they accidentally discover the Multiverse. The worlds of science (the Multiverse) and spirituality (the 4th dimension) collide as the story climaxes.

Presents the story of Plenty Coups, the last great Chief of the Crow Nation. This title contains a philosophical and ethical inquiry into a people faced with the end of their way of life.