A stunning and original interpretation of an ancient system of poetic, religious, and philosophical thought Buried in the Egyptian desert some four thousand years ago, the Pyramid Texts are among the world’s oldest poetry. Yet ever since the discovery of these hieroglyphs in 1881, they have been misconstrued by Western Egyptologists as a garbled collection of primitive myths and incantations, relegating to obscurity their radiant fusion of philosophy, scientific inquiry, and religion. Now, in a seminal work, the classicist and linguist Susan Brind Morrow has recast the Pyramid Texts as a coherent work of art, arguing that they should be recognized as a formative event in the evolution of human thought. In The Dawning Moon of the Mind she explains how to read hieroglyphs, contextualizes their evocative imagery, and interprets the entire poem. The result is a magisterial religious and philosophical text revealing a profound consciousness of the world with astonishing parallels to Judeo-Christian culture, Buddhism, and Tantra. More than twenty years in the making, The Dawning Moon of the Mind is a monumental achievement that locates one of the origins of poetic thought in Western culture. Almost before science, art, and written language, these texts set forth the relationship between time and eternity, life and death, history and ideas. In The Dawning Moon of the Mindthey emerge in their original luminosity and intelligence alongside a persuasive argument for their central importance to the history of language.

The Pyramid Texts were carved onto the walls of burial chambers in royal pyramids 4,000 years ago. They have intrigued scholars, mystics and historians ever since they were discovered in 1881. They have usually been misconstrued as a garbled collection of primitive myths and incantations, relegating their radiant fusion of philosophy, scientific inquiry, and religion to obscurity. Translations of the texts often reduce them to gibberish. Yet these writings are in fact among the world's oldest poetry, cosmological speculations and reflections on nature. Susan Brind Morrow has recast The Pyramid Texts as a coherent work of art, arguing that they should be recognized as a formative event in the evolution of human thought. The result is a work of beautiful and intelligent literature, alongside a persuasive argument for The Pyramid Texts' central importance to the history of language.

A journey through upstate New York’s Finger Lakes: “One of those rare nature books that mix a perfect combination of personal insight and historical depth” (USA Today). “The Finger Lakes region of western New York is remote from much of the state, and, unlike the Hamptons, the Catskills, and the Adirondacks, was never really settled by summer people. It is nevertheless a beautiful and somewhat mysterious part of America—with long, clean lakes, hidden valleys, and towns bearing Greek names like Hector and Ithaca—and was the birthplace of Mormonism, spiritualism, and the American women’s-suffrage movement. Morrow grew up in Geneva, at the north end of Seneca Lake (where F. Scott Fitzgerald’s doomed Dick Diver ended up). Her short, affecting book is partly a memoir recalling the habits of bees, the return of wolves, and ‘a life spun together through layers of sense impressions,’ and also a meditation on the outdoors that evokes ‘the smell of damp earth, the sweetness of maples and pines . . . as though it were freedom itself.’” —The New Yorker “Her ruminations are loosely based on her memories of two men—one a trapper, the other a beekeeper—whose ability to connect with nature had a profound influence on the way she views the world. In a poetic narrative, she contemplates the natural history of the area and tells of the people who have inhabited it—the Seneca, spiritualists, fur traders, artists, scholars, scientists and nurserymen . . . Morrow’s language is rich and sensuous.” —Publishers Weekly “A riveting compendium of observations from a very curious, very interesting mind.” —The Boston Globe

Mahamudra is the first English translation of a major Tibetan Buddhist presentation of the theory and practice of meditation-a manual detailing the various stages and practices for training the advanced student. The original Tibetan text of nearly 800 pages was composed by Takpo Tashi Namgyal (1512-1587), a great lama and a scholar of the kagyu sect of Tibetan Buddhism. His text is so vast and thorough in scope that it is still the primary source used by living Tibetan meditation masters in instructing their disciples. The first major text representing the meditational methods of both mahayana and vajrayana Buddhism to appear in English, Mahamudra is an invaluable guide for advanced students, scholars, and Buddhist practitioners. Mahamudra is the first english translation of a major Tibetan Buddhist presentation of the theory and practice of meditation-a manual detailing the various stages and practices for training the advanced student. The original Tibetan text of student. The original Tibetan text of nearly 800 pages was composed by Takpo Tashi Namgyal (1512-1587) a great lama and a scholar of the Kagyu sect of Tibetan Buddhism. The first major text representing the meditational methods of both mahayana and vajrayana Buddhism to appear in english. Mahamudra is an invaluable guide for advanced students, scholars, and buddhist practitionaers.

The coming of the Blood Moon will lead two Lycan packs into war, spur two rival brothers into conflict, and spark an act of vengeance so evil that its effects will be felt for generations. One woman stands at the center of it all... After years of waiting, the Blood Law is at last avenged. Lycan Alpha Lucien Mondragon takes revenge on his brother, Rafael. Lucien is poised to slay Rafael's life mate, the Lycan/Slayer half-breed Falon- but cannot complete the kill. For Falon's mystical powers and fiery nature awaken a heart Lucien thought long dead. Instead of ending her life, Lucien defiantly marks Falon as his own, tormenting his brother to insanity and spurning Rafael's blood thirst for his own revenge. Though terrified by the savage Lucien, Falon finds herself inexplicably drawn to his primal rage and strength by a desire she cannot resist. Torn between the true love she has for Rafael and the burning hunger she holds for Lucien, Falon knows that the will of her heart will lead her to her destined life mate. But it may also doom the Alpha brothers-and the Lycan race-to extinction...

“An insomniac’s ideal sleep aid—and that’s a compliment. With her collage of ruminations about sleeplessness, [Benjamin] promises no real cure . . . Her slim book is what the doctor ordered.”—The Atlantic Insomnia is on the rise. Villainous and unforgiving, it’s the enemy o f energy and focus, the thief of our repose. But can insomnia be an ally, too, a validator of the present moment, of edginess and creativity? Marina Benjamin takes on her personal experience of the condition—her struggles with it, her insomniac highs, and her dawning awareness that states of sleeplessness grant us valuable insights into the workings of our unconscious minds. Although insomnia is rarely entirely welcome, Benjamin treats it less as an affliction than as an encounter that she engages with and plumbs. She adds new dimensions to both our understanding of sleep (and going without it) and of night, and how we perceive darkness. Along the way, Insomnia trips through illuminating material from literature, art, philosophy, psychology, pop culture, and more. Benjamin pays particular attention to the relationship between women and sleep—Penelope up all night, unraveling her day’s weaving for Odysseus; the Pre–Raphaelite artists’ depictions of deeply sleeping women; and the worries that keep contemporary females awake. Insomnia is an intense, lyrical, witty, and humane exploration of a state we too often consider only superficially. “This is the song of insomnia, and I shall sing it,” Marina Benjamin declares.