While on the run, Yona and Hak head to Hak’s hometown, where she attempts to heal her broken heart. However, she can’t rest there for long once she discovers that Su-won may soon become king! What will Yona choose to do in the wake of this news? -- VIZ Media

Epic fantasy found an exhilarating new voice in Robert Newcomb, whose monumental debut novel, The Fifth Sorceress, was hailed by readers and critics alike. And now, for all those spellbound by the tale of Prince Tristan, heir to the throne of Eutracia, his twin sister Princess Shailiha, the ancient wizard Wigg, and the fate of their enchanted land, there is indeed more—much more—to be told. . . . For three centuries, Eutracia was a kingdom at peace, ruled by a benevolent monarchy and guided by a council of wizards. But a horror from the past, long believed vanquished, returned with devastating fury. And when the battle against the bloodthirsty Sorceresses of the Coven was finally won, victory was not without its price. Now, the royal palace lies in ruins; the king and queen, the royal guard, and the Directorate of Wizards are dead; the land is lawless; and Prince Tristan— forced by the Coven to murder his father, the King—is a wanted man. In a cavernous underground labyrinth, once headquarters of the wizards’ council, Tristan has taken refuge with his sister, Shailiha, her infant daughter, the wizard Wigg—the lone surviving member of the Directorate—and the crippled wizard Faegan, returned from self-imposed exile in the forest of Shadowood. Together they face the daunting task of restoring order to Eutracia and winning back the allegiance of her subjects. But suddenly, even these challenges pale beside a truly terrifying turn of events. The sacred jewel that is the source of all magic has inexplicably begun to lose its power. Without its age-old enchantment to sustain their spells, the immortal wizards will perish . . . and magic will vanish from Eutracia forever. At the same time, a mysterious and ruthless mercenary has declared a bounty upon the head of Prince Tristan. And an army of wizards on a mission to rid Eutracia of monsters created by the Coven has fallen prey to an insidious breed of creatures—beings that can only have sprung from forbidden use of malevolent magic. With time and their powers dwindling, Wigg and Faegan desperately seek to discover who, or what, has succeeded the dead Sorceresses in laying siege to Eutracia. But when the shocking truth is revealed, and an evil that transcends life itself is made known, it is Tristan, more than any other, who will be stunned to his very soul. And it is Tristan who will be thrust into the ultimate battle—for his life, his land, and the course of his destiny.

The second volume in the highly acclaimed new Bloody Books series of new contemporary horror short fiction

Stranded on a hostile alien planet, a beautiful young translator is forced tochoose between trusting her own crewmates or the noble commander of the alienrace that shot down her spacecraft. Original.

Aloy’s next epic adventure in the world of Horizon Zero Dawn! Discover a world of lush, natural beauty remade after a global cataclysm. Massive, animal-like machines rule as the dominant species, while humans live on in pre-industrial tribes, fighting for their survival. Set during the events of the Horizon Zero Dawn game, Aloy joins her friend Erend on the hunt for a dangerous associate of his beloved sister’s murderer. Along the way, Erend narrates the sweeping tale of the Liberation of Meridian, revealing how his sister prevailed against all odds only to earn the wrath of one of the most brilliant and vengeful warriors of the Oseram tribe. Scripted by Anne Toole, who won the Writer’s Guild award for her work on the original game, and illustrated by new acclaimed artist Elmer Damaso (Robotech: Remix). "A comic that anyone can enjoy, leaving the unfamiliar reader with the itch to start playing Horizon Zero Dawn." Bleeding Cool Collects Horizon Zero Dawn: Liberation #1-4.

The Growth of Literature is a key work for all scholars and students of comparative literature, and will also interest those involved with other fields of literary studies as well as sociology, anthropology and related disciplines. The three volumes, hailed as classics when they first appeared between 1932 and 1940, were last reprinted in 1968. Now available for the first time in paperback, they remain the definitive study of their subject. The work contains an examination of comparative literatures in various countries and at various times, with a view to demonstrating what literature (oral and written) consists of at different stages of its growth and what, if any, general principles can be applied to its development under diverse conditions. In the first volume Professor and Mrs Chadwick establish the categories of literature which are used throughout as a means of classification, and discuss the heroic age in Europe, focusing on Classical, Anglo-Saxon and Celtic cultures. In the second volume they deal with Russian oral literature, Yugoslav oral poetry, early Indian literature and early Hebrew literature. Volume III examines the oral literature of the Tatars, of Polynesia, and of Africa, concluding with a general survey which makes use of the categories developed in the first volume.