Struggling writer Jess Conover needs a job. Something infinite and unnamable seems to know this, because one Sunday morning as he is scanning the classifieds, he sees the cryptic message that changes his life- Love has found you. Tell no one, just come. When he meets lovely, willowy Elena on a cold November night in Boston, he is swept into an age-old mystery instead. At first he thinks that it is Elena herself who makes him feel as if his whole reality is about to be transformed. Then Jess discovers that this woman, who talks so knowingly about love, is the leader of a 'mystery school' going back many centuries. Jess is compelled to enter 'the second world' of this mystery school a place nurtured and preserved by a handful of women who can guide him on this remarkable adventure of the heart.

They were called "frail sisters," "fallen angels," "filles de Joie, " "soiled doves," "queens of the night," and "whores." They worked the seamy brothels, saloons, cribs, streets, and "hog ranches" of the American frontier. They were the prostitutes of the post-Civil War West. Daughters of Joy, Sisters of Misery details the destitute lives of these nearly anonymous women. Anne Butler reveals who they were, how they lived and worked, and why they became an essential element in the development of the West's emerging institutions. Her story bears little resemblance to the popular depictions of prostitutes in film and fiction. Far removed from the glittering lives of dancehall girls, these women lived at the boarders of society and the brink of despair. Poor and uneducated, they faced a world where scarce jobs, paltry wages, and inflated prices made prostitution a likely if bitter choice of employment. At best their daily lives were characterized by fierce economic competition and at worst by fatal violence in the hands of customers, coworkers, or themselves. They were scorned and attacked by the legal, military, church, and press establishments; nevertheless, as Butler shows, these same institutions also used prostitutes as a means for maintaining their authority and as a lure for economic development. Daughters of Joy, Sisters of Misery is based on an enormous amount of research in more than twenty repositories in Wyoming, Arizona, Texas, Colorado, New Mexico, and Kansas. Using census lists, police dockets, jail registers, military correspondence, trial testimony, inquests, court martials, newspapers, post return, and cemetery records, Butler illuminates the dark corners of a dark profession and adds much to our knowledge of both western and women's history.

Joy A. Schroeder explores centuries of Jewish and Christian interpretations of the biblical story of Deborah, an authoritative judge, prophet, and war leader who violently defeated her enemies.

A Belletrist Book of the Month, this “exquisite memoir” (Los Angeles Times) is the perfect balm for any reader who has experienced loss. Lipsticks applied, novels read, imperfect cakes baked—such memories are recalled with “crystalline perfection” (J.C. Hallmann, Brooklyn Rail) in Sarah McColl’s breathtaking testimonial to the joy and pain of loving well. When her mother, Allison, was diagnosed with cancer, McColl dropped everything—including her on-the-rocks marriage—to return to the family farmhouse and fix elaborate meals in the hope of nourishing her back to health. In “thoughtful and finely crafted prose” (Martha Anne Toll, NPR.org) McColl reveals Allison to be an extraordinary woman of infinite love for her unruly brood of children. Mining her dual losses “with humor and charm” (Rachel Kong, New York Times Book Review) to confront her identity as a woman, McColl walks lightly in the footsteps of the woman who came before her. “A gorgeous, painful, exhilarating debut” (Kirstin Valdez-Quade), Joy Enough is an essential guide to clinging fast to the joy left behind, for readers of Ann Hood and Jenny Offill.

“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians Amy Tan’s beloved, New York Times bestselling tale of mothers and daughters, now the focus of a new documentary Amy Tan: Unintended Memoir on Netflix Four mothers, four daughters, four families whose histories shift with the four winds depending on who's "saying" the stories. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Rather than sink into tragedy, they choose to gather to raise their spirits and money. "To despair was to wish back for something already lost. Or to prolong what was already unbearable." Forty years later the stories and history continue. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

Sumptuously illustrated with some of the world's finest art, this book celebrates the incredible bond between parents and their daughters. With words of wit and warmth, this is a book that captures the spontaneity, the laughter, the passion and the sheer joy of daughters - of any age.

#1 NEW YORK TIMES BESTSELLER • “Astonishing . . . one of those hard-to-put-down-until-four-in-the morning books . . . a story with characters who enter a reader’s life, take up residence, and illuminate the myriad decisions and stories that make up human history.”—Los Angeles Times In her most powerful novel yet, acclaimed author Lisa See returns to the story of sisters Pearl and May from Shanghai Girls, and Pearl’s strong-willed nineteen-year-old daughter, Joy. Reeling from newly uncovered family secrets, Joy runs away to Shanghai in early 1957 to find her birth father—the artist Z.G. Li, with whom both May and Pearl were once in love. Dazzled by him, and blinded by idealism and defiance, Joy throws herself into the New Society of Red China, heedless of the dangers in the Communist regime. Devastated by Joy’s flight and terrified for her safety, Pearl is determined to save her daughter, no matter the personal cost. From the crowded city to remote villages, Pearl confronts old demons and almost insurmountable challenges as she follows Joy, hoping for reconciliation. Yet even as Joy’s and Pearl’s separate journeys converge, one of the most tragic episodes in China’s history threatens their very lives. BONUS: This edition contains a Dreams of Joy discussion guide. Praise for Dreams of Joy “[Lisa] See is a gifted historical novelist. . . . The real love story, the one that’s artfully shown, is between mother and daughter, and aunt and daughter, as both of the women who had a part in making Joy return to China come to her rescue. . . . [In Dreams of Joy,] there are no clear heroes or villains, just people who often take wrong turns to their own detriment but for the good of the story, leading to greater strength of character and more durable relationships.”—San Francisco Chronicle “A heartwarming story of heroic love between a mother and daughter . . . No writer has better captured the voice and heart of Chinese culture.”—Bookreporter “Once again, See’s research feels impeccable, and she has created an authentic, visually arresting world.”—The Washington Post