In 2014 a new progressive party, Podemos, emerged on the Spanish political scene. Within just over two years it had become the country’s third-biggest party, winning a slew of seats in parliament and regularly making headline news. While some see Podemos as the saviour of Spanish democracy, others have accused it of corrosive populism. But what few have noticed is that behind its distinctive rhetoric lies a thinker closely associated with Germany’s Third Reich: Carl Schmitt. Why has an ostensibly progressive and avowedly anti-fascist political party taken up Schmitt’s ideas? The puzzle only deepens when we learn of Schmitt’s links with Francisco Franco’s dictatorship. In The Dark Side of Podemos?, Booth and Baert explain why Schmittian theory resonated with Podemos’ founders. In doing so, the authors position Podemos and the ideas that guide it within the context of recent Spanish history and ongoing politics of memory, revealing a story about how personal and political narratives have combined to produce a formidable political force. This enlightening monograph will appeal to undergraduates and postgraduates, as well as postdoctoral researchers, interested in fields such as Politics, Political Theory and Sociology. It will also be relevant to those curious about contemporary Spanish politics, the nature of populism, the future of the European left, or Carl Schmitt and his links with Spain.

Humanistic theory for more than the past 100 years is marked by extensive attention to practice and practices. Two prominent streams of thought sharing this focus are pragmatism and theories of practice. This volume brings together internationally prominent theorists to explore key dimensions of practice and practices on the background of parallels and points of contact between these two traditions. The contributors all are steeped in one or both of these streams and well-known for their work on practice. The collected essays explore three important themes: what practice and practices are, normativity, and transformation. The volume deepens understanding of these three practice themes while strengthening appreciation of the parallels between and complementariness of pragmatism and practice theory.

The Philosophy of Homelessness is borne out of a five-year ethnographic research project involving being with a group of chronically homeless people in Chester. A small city located in the northwest of the UK, Chester is economically supported by its heritage and the tourism that this attracts. In an obvious sense, the awkwardness of the phrase ‘being with a group of chronically homeless people’ is regrettable. Nevertheless, this unfortunately self-conscious phrase is significant, with its importance residing in the word and concept of ‘being’. Whilst philosophical understandings of being are often thought about in rather abstract terms, The Philosophy of Homelessness explores the daily experience of chronic homelessness from a perspective that renders its ontological impress in ways that are explicitly felt, often in forms that are overtly political and exclusionary in character, especially in terms of identity and belonging within the city. Themes that emerge from the work, which coalesce around living in the margins of the city and experiencing only the shadow of the right to be, include: the economy of chronic addiction and its impact upon the body; the relationship between chronic homelessness and the law; and chronic homelessness and identity and desire. These themes are explored through a number of thinkers, though predominantly: Nietzsche, Lacan, Bourdieu and Kristeva. This work is likely to be of interest to anyone working in the fields of: criminology; sociology, especially those areas concerned with marginalised groups; and philosophy in its socially and politically engaged forms; as well as to those with an interest in homelessness.

This book offers a synthesis of social science and evolutionary approaches to the study of intergenerational relations, using biological, psychological and sociological factors to develop a single framework for understanding why kin help one another across generations. With attention to both biological family relations as well as in-law and step-relations, it provides an overview of existing studies centred on intergenerational relations – particularly grandparenting – that incorporate social science and evolutionary family theories. This evolutionary social science approach to intergenerational family relations goes well beyond the traditional nature versus nurture distinction. As such, it will appeal to scholars across a range of disciplines with interests in relations of kinship, the lifecourse and the sociology of the family.

This book offers a history of sociological theory from a Christian perspective, tracing the origins of sociology from the beginnings of Western science as introduced by the Scholastics of the twelfth century, which, when combined with their emphasis on rationality, led to the Enlightenment "science of man"—an emphasis that eventually resulted in sociology, which combined empiricism and a Christian moral philosophy. With chapters focusing on the Scholastics, the Enlightenment, the rise of sociology in France, Germany, and the United States, and the legacy of Positivism, Christianity and Sociological Theory shows how the emphasis on moral philosophy was eventually lost as sociology rejected Christian underpinnings, resulting in what can only be described as an extremely limited sociology. A rigorous exploration of the trajectory of the discipline from its Christian origins, this volume reveals the potential that exists for sociology in an era of postmodern thought to reclaim its promise through a re-introduction of Christianity.

The Sociology of Knowledge Approach to Discourse (SKAD) has reoriented research into social forms, structuration and processes of meaning construction and reality formation; doing so by linking social constructivist and pragmatist approaches with post-structuralist thinking in order to study discourses and create epistemological space for analysing processes of world-making in culturally diverse environments. SKAD is anchored in interpretive traditions of inquiry and allows for broadening – and possibly overcoming – of the epistemological biases and restrictions still common in theories and approaches of Western- and Northern-centric social sciences. An innovative volume, this book is exactly attentive to these empirically based, globally diverse further developments of approach, with a clear focus on the methodology and its implementation. Thus, The Sociology of Knowledge Approach to Discourse presents itself as a research program and locates the approach within the context of interpretive social sciences, followed by eleven chapters on different cases from around the world that highlight certain theoretical questions and methodological challenges. Presenting outstanding applications of the Sociology of Knowledge Approach to Discourse across a wide variety of substantive projects and regional contexts, this text will appeal to postgraduate students and researchers interested in fields such as Discourse Studies, Sociology, Cultural Studies and Qualitative Methodology and Methods.

Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation. In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.