SUNDAY TIMES BESTSELLER ***The explosive fifth novel in the Red Rising Series*** The Number One New York Times bestselling author of Morning Star returns to the Red Rising universe with the thrilling sequel to Iron Gold. He broke the chains Then broke the world.... A decade ago Darrow led a revolution, and laid the foundations for a new world. Now he's an outlaw. Cast out of the very Republic he founded, with half his fleet destroyed, he wages a rogue war on Mercury. Outnumbered, outgunned but not out thought. Is he still the hero who broke the chains? Or will he become the agent of the world's destruction? Is it time for another legend to take his place? Lysander au Lune, the displaced heir to the old empire, has returned to the Core. First he must survive Gold backstabbing, then Darrow. Will he bring peace to mankind at the edge of his sword? And on Luna, Mustang, the embattled sovereign of the Republic, must save both democracy and her exiled husband millions of kilometres away. The only thing certain in the Solar System is treachery. And that the Rising is entering a new Dark Age. PRAISE FOR THE RED RISING SERIES: 'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic '[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today '[A] spectacular adventure . . . one heart-pounding ride . . . Pierce Brown's dizzyingly good debut novel evokes The Hunger Games, Lord of the Flies, and Ender's Game. . . . [Red Rising] has everything it needs to become meteoric' - Entertainment Weekly

This is a classic work of archaeology by one of the premier figures in the field. First published in 1971, A.M. Snodgrass'The Dark Age if Greece is the most comprehensive and coherent account available of this period of ancient Greece.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience. Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism. American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

"This work provides a close look into how archivists and librarians worked to archive internet content"--

In this innovative study, James Whitley examines the relationship between the development of pot style and social changes in the Dark Age of Greece (1100-700 BC). He focuses on Athens where the Protogeometric and Geometric styles first appeared. He considers pot shape and painted decoration primarily in relation to the other relevant features - metal artefacts, grave architecture, funerary rites, and the age and sex of the deceased - and also takes into account different contexts in which these shapes and decorations appear. A computer analysis of grave assemblages supports his view that pot style is an integral part of the collective representations of Early Athenian society. It is a lens through which we can focus on the changing social circumstances of Dark Age Greece. Dr Whitley's approach to the study of style challenges many of the assumptions which have underpinned more traditional studies of Early Greek art.

Scott confronts conventional historians and looks at the evidence, archaeological and textual, for the proposition that three centuries, roughly between 615 and 915, never existed and are "phantom" years. The author shows in detail how no archaeology exists for these three centuries, and that the material remains of the seventh century closely resemble those of the tenth, and lie directly beneath them. This is the first book on this topic in the English language, though Heribert Illig's books on the same topic, 'Das erfundene Mittelalter' and 'Wer hat an der Uhr Gedreht?' have been best sellers in German-speaking Europe.