A sequel faithful to Jane Austen's beloved masterpiece, Pride and Prejudice. Elizabeth and Mr. Darcy have been married for almost a year, and their heated arguments are a thing of the past. All that passion is now directed into more satisfying pursuits. But how long can the honeymoon last? The couple's idyllic life together at Pemberley is jeopardized by the secrets they begin keeping from each other, the troubles of their closest friends, and the threat of a villain in their midst. Layers of seemingly innocent deception are building between Darcy and Elizabeth, threatening their relationship. He is conducting some covert business dealings that he's unwilling to share with his wife, and she likewise begins keeping things from him against her own better judgment. The couple also becomes embroiled in the tribulations of Mr. Darcy's younger sister, Georgiana, and his friend and cousin, Colonel Fitzwilliam. Fitzwilliam falls victim to their aunt, Lady Catherine de Bourgh, as the object of her latest scheme to make a noble match for her daughter. The arrangement satisfies the ambitions of the couple's parents, but appears to hold little prospect of happiness for Anne and Fitzwilliam, who each harbor other romantic interests. During this same period, Georgiana runs the gamut of emotions as she comes of age. Her elation at her birthday ball soon crumbles when she learns the man she secretly admires is engaged to another. The excitement of a London season and the attention of two other eligible suitors cannot make her forget her disappointment over her lost first love. As the story progresses, the menacing shadow of Mr. Darcy's life-long nemesis looms ever-larger. By carelessness and design, Mr. Wickham and Lydia painfully intrude into the lives of the Darcys and the Bingleys, with disastrous results. The Darcys of Pemberley is the tale of two romances: the continuation of Darcy and Elizabeth's story, and the courtship of Miss Georgiana. For those of us who didn't want Pride and Prejudice to end, this charming novel gives the opportunity to learn what happens after the wedding, to revisit all our old friends and foes, and to share the next chapter of their lives. Ms. Winslow carries on the saga much as Jane Austen herself might have - true to her style, her sensibilities, and the delightful characters she created.

A recounting of the events in The Darcys of Pemberley as told from Georgiana Darcy's point of view.

HAPPILY MARRIED for over a year and more in love than ever, Darcy and Elizabeth can’t imagine anything interrupting their bliss-filled days. Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phan-tom—a Shadow Man who is haunting the Darcy family’s grand estate. Darcy and Elizabeth believe the truth is much more menacing and that someone is trying to murder them. But Pem-berley is filled with family guests as well as the unexpected travelers—any one of whom could be the culprit—so unraveling the mystery of the murderer’s identity forces the newlyweds to trust each other’s strengths and work together. Written in the style of the era and including Austen’s romantic playfulness and sardonic humor, this suspense-packed sequel to Pride and Prejudice recasts Darcy and Elizabeth as a husband-and-wife detective team who must solve the mystery at Pemberley and catch the murderer—before it’s too late.

(New cover, for the same book) A sequel to Jane Austen's 'Pride & Prejudice', inspired by the 1995 BBC adaptation and in its spirit,'From This Day Forward' explores life at Pemberley after Elizabeth Bennet's marriage to Fitzwilliam Darcy, and the turns their fates might have taken. On a crisp winter morning in a small country church, Miss Elizabeth Bennet married Mr Darcy – and her quiet, tame existence had abruptly changed. The second daughter of a country gentleman is now many different things, to different people. Beloved wife. Mistress of a dauntingly great estate. Reluctant socialite. Daughter. Sister. Cousin. Friend. Her world is very different too, touched by a series of events that the creator of'Pride & Prejudice' would have recognised. As the days of her married life go by, bringing both joy and turmoil, the man that stands beside her is her shelter and comfort in the face of family opposition, peril and heartbreak. Three very different Christmas seasons come to serve as landmarks to their lives and there are blissful days and times of sorrow at the old English country house. And before too long, a time would come when Darcy must decide if he is prepared to risk everything for the sake of a full life together - or succumb to the collection of his fears. "Quiet footsteps, eerily quiet, drew him from his trance. He looked up – and followed. The ghostly sound faded as he reached the eastern staircase and he took the steps two at a time, down to the very bottom. A madman's quest for he knew not what pushed him to the gallery. In the light of the moon, from her portrait, his grandfather's first wife looked down upon him with the deepest compassion. He dug his fingers in his hair. A long, dry sob racked his chest as he pounded the frame of the unfortunate woman's likeness, and broken gilt plaster fell to the floor. He covered his mouth with his fist, stifling the groan. And ran out of the deathly silent room, chased by his demons."

This book argues that there are recurrent spatiotemporal patterns and structures in six Jane Austen novels which constitute a source of enduring, if unconscious, pleasure. More precisely, the book contends that there are overlapping natural and cultural cycles which co-exist in a constantly transmuting space-time and which are counterpointed with the linearity of pivotal events that drive the plot forwards. This work examines the psychological relations to these space-time patterns of the characters, principally the heroines, focusing on the transformations of their emotional states which prompt linear leaps.

Romantic Capabilities discusses the relationship between popular new media uses of literary texts. Devising and modelling an original critical methodology that bridges historicist literary criticism and reception studies with media studies and formalism, this volume contends that how a literary text behaves when it encounters new media reveals medial capabilities of the text that can transform how we understand its significance for the original historical context for which it was created. Following an introductory theoretical chapter that explains the book's unconventional approach to the archive, Romantic Capabilities analyzes significant popular "media behaviors" exhibited by three major Romantic British literary corpuses: the viral circulation of William Blake's pictures and proverbs across contemporary media, the gravitation of Victorian panorama painters and 3D photographers to Walter Scott's historical fictions, and the ongoing popular practice of writing fanfiction set in the worlds of Jane Austen's novels and their imaginary country estates. The result is a book that reveals Blake to be an important early theorist of viral media and the law, Scott's novels to be studies in vision that helped give rise to modern immersive media, and Austenian realism to be a mode of ecological design whose project fanfiction grasps and extends. It offers insight into the politics of virality, the dependence of immersion on a sense of frame, and the extent to which eighteenth-century landscape gardening anticipated Deleuzian ideas of the "virtual" by granting existence to reality's as-yet-unrealized capabilities.

Having seriously believed that she was destined to become a spinster, Elizabeth Bennet finds herself married to one of the most eligible bachelors in Derbyshire. She now faces the daunting task of assuming her place within the vast and prestigious family estate of Pemberley. A few ill-disposed individuals would delight to see her fail so there is little room for error as she learns to lead her new household. Darcy is at her side, of course, but he cannot shelter her entirely as gossiping tongues follow her every move. She must navigate the isolation she feels as a stranger in this new setting and learn how to honour her new responsibilities while the lingering presence of her late mother-in-law, Lady Anne, to whom she is always compared, hangs over her. Thankfully, Elizabeth is resourceful. One day, she will triumph over even her harshest critics and prove herself worthy as mistress of Pemberley.