An extraordinary debut novel that challenges the definition of family and explores the intricate ties that bind us together Ida grew up with Jackson and James—where there was “I” there was a “J.” She can’t recall a time when she didn’t have them around, whether in their early days camping out in the boys’ room decorated with circus scenes or later drinking on rooftops as teenagers. While the world outside saw them as neighbors and friends, to each other the three formed a family unit—two brothers and a sister—not drawn from blood, but drawn from a deep need to fill a void in their single parent households. Theirs was a relationship of communication without speaking, of understanding without judgment, of intimacy without rules and limits. But as the three of them mature and emotions become more complex, Ida and Jackson find themselves more than just siblings. When Jackson’s somnambulism produces violent outbursts and James is hospitalized, Ida is paralyzed by the events that threaten to shatter her family and put it beyond her reach. Kathleen Alcott’s striking debut, The Dangers of Proximal Alphabets, is an emotional, deeply layered love story that explores the dynamics of family when it defies bloodlines and societal conventions.

An utterly charming and tender story of the disparate tenants of a Brooklyn brownstone and the community they form around their ageing landlord when their home is suddenly threatened.

In the wake of an affair, the lives of an astronaut and a radical are forever altered by the political fault lines of the 1960s, setting off a series of events ricocheting from anti-Vietnam activism to the Apollo program to the AIDS crisis, in this sprawling multigenerational novel Ecuador, 1969: An American expatriate, Fay Fern, sits in the corner of a restaurant, she and her young son Wright turned away from the television where Vincent Kahn becomes the first man to walk on the moon. Years earlier, Fay and Vincent meet at a pilots’ bar in the Mojave Desert. Both seemed poised for reinvention—the married test pilot, Vincent, as an astronaut; the spurned child of privilege, Fay, as an activist. Their casual affair ends quickly, but its consequences linger. Though their lives split, their senses of purpose deepen in tandem, each becoming heroes to different sides of the political spectrum of the 1960s and 70s: Vincent an icon with no plan beyond the mission for which he has single-mindedly trained, Fay a leader of a violent leftist group whose anti-Vietnam actions make her one of the FBI’s most wanted. With her last public appearance, a demonstration that frames the Apollo program as a vehicle for distracting the American public from its country’s atrocities, Fay leaves Wright to contend with her legacy, his own growing apathy, and the misdeeds of both his mother and his country. An immense, vivid reimagining of the Cold War era, America Was Hard to Find traces the fallout of the cultural revolution that divided the country and explores the meaning of individual lives in times of upheaval. It also confirms Kathleen Alcott’s reputation as a fearless and vital voice in fiction.

Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. But more: it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the superb work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • ONE OF ESQUIRE’S BEST BIOGRAPHIES OF ALL TIME General Alex Dumas is a man almost unknown today, yet his story is strikingly familiar—because his son, the novelist Alexandre Dumas, used his larger-than-life feats as inspiration for such classics as The Count of Monte Cristo and The Three Musketeers. But, hidden behind General Dumas's swashbuckling adventures was an even more incredible secret: he was the son of a black slave—who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas made his way to Paris, where he rose to command armies at the height of the Revolution—until he met an implacable enemy he could not defeat. The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. TIME magazine called The Black Count "one of those quintessentially human stories of strength and courage that sheds light on the historical moment that made it possible." But it is also a heartbreaking story of the enduring bonds of love between a father and son.

Four Washington D.C. teens struggle to understand their roles in future society, or its destruction, as their very different stories intermingle.

This year's six shortlisted stories for the world's richest short story prize, the £30,000 Sunday Times EFG Short Story Award.